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A Quick Death in Texas: Chapter 8 Skeleton

It's time for things to blow up in entertaining ways.


Eight - The Importance of Safety Regulations

[Let’s build ourselves the skeleton of an action chapter, shall we?]

[We open on Telin as a palette cleanser, in terms of characters with distinctly different personal approaches: namely that rather than throwing weight around, she’s listening to someone at the local airfield vent about current events, being extremely put upon, then having to deal with some outsider that wants to borrow a helo on a favor, all from the comfort of her well-cultivated meditative space. She’s a good listener, from somewhere within the Zen trance. That’s when she gets a call from Van, and she decides it’s in the realm of “this is important, I need to take this.” Not to be impolite, but venting is nice to have breaks from.]

[“How’s your day going?” “I’m working on finagling a helo off someone whose stressed out and mad at one of my uncles. How’s yours?” “I’m waiting for the two guys I knocked out to remember how to talk, so they can tell me some shit, basic stuff.”]

[At this point we’re starting to get some insight into the foundations of these two’s relationship as it’s growing: Van sees Telin as someone who’s normal enough compared to him, who makes him feel like an actual person, not just some bionic super-product performing his function. But with her, she’s getting someone who makes her feel like she’s back to where she was, from a time where we never knew her, but she was a wilder, sharper, fiercer individual. From her point of view, we start to understand that Van reminds her of a time when she wasn’t quiet and solitary, and more, he makes it so that she can inhabit that old self of her, that she didn’t feel quite so confident in being. What they have is a camaraderie based off of a shared feeling of Being Okay when their energies interact- .72 of a functioning person and .88 of a functioning person found each other, and in doing so, made each other a total of 2 whole functioning people.]

[And that’s what we have here: a sweet scene between people being affectionate, who aren’t typically, that advances the idea that Telin is out there, getting ahold of some transport.]

[“Anyway I gotta go. I got mumbles, that’s progress.”]

---

[We’re back with Van in the office. Santana and Kellog are lashed to their chairs, with the privacy curtains drawn and the Back In X Minutes sign up on the door. This was not a secure site, but on the other hand, he’d worked with less. He’s also eating the sandwich that Kellog delivered, because bionics are extremely calorie-expensive to run.]

[Kellog is the first to speak, and all he manages is “whythefuckyouhitme, maaan?” This is initially enough to make Van understand that he’s probably a useful idiot and little more than that. He didn’t need any voice analysis augs to figure that, it’s just there’s a way the Pablo Escobars of the galaxy have of announcing themselves, and that extremely was not it. “Because you didn’t want to read what you delivered to this guy, so now I gotta beat it out of both of you instead of eavesdropping like a politer thug.” Of course this provokes an immediate and frightened “IIIIIII dunno NOTHIN man,” which immediately prompts Van to cock an arm and see if he flinches; he does, so hard he almost pitches over in his chair. At this point, Van effectively eliminates him as a deeper player in the conspiracy- he’s a pawn, and a particularly dumb fucker of a pawn at that.]

[At which point he starts paying attention to Santana, who he pings and notices has a normalized breath and pulse rate. At which point he tells him that he can either speak up or just point to where the message is, because by the sounds of things, that was probably time sensitive, and “you don’t want to see me in a rush.” Santana decides to be willful, which is a poor idea to do to someone who has an engineered-sociopathic behavioral analytic analyzer, sensor aggregator and targeting computer-intellect spliced into his brain. Van catches his lie by the throat and tells him simply, “I don’t believe you, and the next time I don’t believe you, it’s going to hurt.” Which is when Santana decides to try and get union high-and-mighty about his Siblings and how Magistral Won’t Stand for This.]

[“Yeah, it’s clear you’re in good with the union. They even gave you an office with a bathroom in it.” Which is when he goozles Santana, opens said bathroom’s door with his head, and dunks him into the toilet bowl. We did it, Van has now swirlied a nerd. Speedrun Any%.]

[There’s a back and forth that occurs when someone is caught in a corner with their personal situation, and someone that’s out to expose them that isn’t acting in an official capacity. See, certain types of shitty people base their entire sense of self-worth and courage off their ability to manipulate the systems they find themselves within- they know they can just say “I don’t know to a cop” over and over, and if they just talk in bullshit circles long enough, the cop can’t lay hands on them if they want to have a chance at making a case in court for the prosecution. When you introduce into the minds of individuals like this, the idea that they are entirely outside of all known systems, because the only one they exist in at that given moment is “in the grasp of a growing-slowly-angrier man who is monstrously strong and knows they are lying as much as they do.” This is not a workable situation to these people, and when they suddenly realize they’re treading water in an open ocean, without land in sight? Panic ensues, and the emotional reckoning is swift and fierce.]

[“What do I have to do in order to make you stop screaming and start talking?” “YOU’VE GOT TO GET ME OUT OF HERE, THEY’RE COMING.”]

[That’s when Van hears the bang and feels the building shudder. That’s when he realizes he needs to be going, now. So he anesthetizes Santana with a bionic one-inch punch, then tells Kellog, “I don’t need to tell you not to run away, I will find you if you do.”]

[Van runs outside and finds that the clamor is a 50/50 split between unarmed workers fleeing and armed workers running towards the blast. Machinery starts to shut down, and gunfire starts to become distinct. Van barks to the Canine, and the Canine responds with its typical Terminator Bullshit: it pulls up a procedurally rendered map of everywhere he’d been and seen that day, as well as a computational approximation of where the shooting was happening. He’s quick to point out to the Canine that he could have done that himself with his ears. “EARS ARE THE ANALOGUE MICROPHONE TO ADVANCED DIGITAL OUTPUT, FOOL.” The Canine is really starting to feel itself; it knows real violence is nigh, and it’s going to get steadily more pushy and more unhinged until it gets catharsis- we’re going to learn this is quite literally a side effect of Van restraining its impulses, him figuratively holding its leash. The beast gets anxious and hangry when there’s death to deal and Van won’t let it draw a targeting reticule over everything that’s hominid and registering a pulse.]

[Van makes a snap decision, which are always his best bad decisions: he decides to steal Kellog’s car, the Dot Micro, and use it as his assault vehicle to roll up on the shootout he’s now registering in his sonics. This is a unconventionally bad idea, but so is he, in his own opinion, so he decides to go with it. As his security domination software hotwires the car, he unfurls the shotgun from his bag… then realizes he’s about to try to work a pump action while driving. Again, a Van idea: shoulda thought ahead, but at least he’s theoretically got an edge, somewhere.]

And now, we bulletpoint some bodycount:


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