NokiMo
Der-shing Helmer
Der-shing Helmer

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TM530 notes

Instead of the comp for the page itself, a look at some pages I compressed into the final. A lot of this chapter is almost a direct redraw of the thumbnailed chapter, because I felt the writing was very strong in this first draft and only needed art and dialouge tweaks (and not pacing tweaks). One soft spot was the argument between Suda and Rana, which I felt was a bit too evenly paced.

One of the things you can do as a writer is to compress or lengthen certain scenes to give them more impact. So I ended up dragging the impact of the argument into the canon page 29 and compressed the denoument into one page (30) instead of 1.5 like it's shown here. There are a few easier ways to show the passage of time than to show the activities in the day... color pallet changes, environmental changes, a bunch of montage scenes, etc. I ended up going with environmental change + repetition to show the focus on one character's emotional state, compared to the original which was more of a half-ass montage. They both culminate in transfering the emotional thoughts to the next character, but I felt like the last panel in the page 30 shown above was less cliffhangery than ending on the stuffed animals, and I do love ending each page on a question, so there we are.

I'm not entirely sure that the pg30 transition will read too fast or not at this point, once it's just the 2/3 midpoint of a continuously read chapter, just going with what my gut tells me to do on this one!

TM530 notes

Comments

I think p30 is really good and does not feel too fast at all. The reduction to the same expressions on the faces of Suda and Rana throughout the day and then the shift to Hyla's empty bed - pretty cool! Significantly more impact than the original sketches.

Reed Copperstrand

The "ending with a question" thing is something that keeps stunning me about TM (well and MI). It seems (and I'm speaking from utter ignorance here) SO hard to make every single page in a webcomic somewhat satisfying and also making you want more. More lighthearted comics can resort to a punchline in the last panel, but having a longer-term drama consistently hooking you without giving the feel of cheap "micro-cliffhangers", I can't imagine how much effort it must take you to pull that off (but it pays off! it's something I rarely see in webcomics, if ever).

Javier Dehesa


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