If you just hopped into a movie theater one weekend in 1982 and saw Night Shift, you might not expect that two of the leads, Shelley Long and Michael Keaton, would not only go on to become households names but would also outshine the guy who’s top-billed: Henry Winkler, playing a very un-Fonzarelli-like role. You might not also expect that director Ron Howard would go one to become one of the biggest directors in Hollywood. Yet that’s the case with Night Shift, a moderate hit released in the same year as E.T., which made even big hits seem tiny. It’s also a sex comedy about prostitutes and morgues that teaches us relatively little about either industry, and it’s also the movie for which Burt Bacharach composed “That’s What Friends Are For.” Weird, right?
Michael Jobin Damp
2024-01-24 05:48:12 +0000 UTCMichael Jobin Damp
2024-01-24 05:27:37 +0000 UTCBrianna Bertoglio
2021-03-14 00:47:33 +0000 UTCRyan Cores
2021-03-10 03:11:43 +0000 UTC