NokiMo
betweenfetishes
betweenfetishes

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COTP040

This is kind of a vestigial idea from another thing I made and am making.  When I make stuff like this I just kind of write a bunch of the possible dialogue and cram it into a single page, or image, so I can decide what I want to do with it.  Over time sometimes I'll draw more pages and spread the dialogue out over however may images I decide I want.  So it's kind of a weird accordion style of creating where it's all bunched up, then I pull it apart, then I repeat the process over and over until I have 100 unfinished pages. Sometimes I get something like this where I don't really like the entire thing but the concept is a bit compelling and I'm not sure what I want to do. 

There's enough here that you can fill in the blanks from context clues.  

For whatever reason I like a really ungodly amount of dialogue.  I always have for this kind of stuff specifically.  I couldn't tell you why but the first pass of anything is always extremely dialogue heavy and if I decide to clean it up for public viewing I cut it way back until it seems more natural.  So this is a peek behind the curtain. 

The characters don't have to be Carol and Jessica.  They just already have traits in my head that suit the situation.  Jess gets cast as the "mad scientist" or incredibly smart person a lot.  

COTP040

Comments

Eh I get it, I’m a massive dialogue hog too. Only I still haven’t fully figured out the right accordion method yet. Got a 4 year old comic I want to remake because there are like 5 pages so overloaded that they have to be split apart somehow for flow.

Bluefurvert

Dialogue's always good. Adds some extra oomph now and again.

Rikki

I love ungodly amounts of dialogue too. It just adds to the pic when you get context and personality

Shapeshifter6


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