Cops - WorkDoc

“Everything is about sex, except for sex. Sex is about power,” Oscar Wilde

With Cops, I’m starting a new project, but this time it will be something smaller and more contained, a short story, before I dive into another large-scale work. It’s designed as a charged exploration of power, vulnerability, and unexpected connections.

The story is set against the backdrop of a network of rundown alleys on the outskirts of a large town, a setting that naturally lends itself to themes of secrecy, hidden lives, and unexpected encounters.

The story is set in the labyrinth of rundown alleys on the outskirts of a large town, places that carry a sense of danger, secrecy, and hidden desires. At first, the idea began as a tale about a young gay man facing harassment from a group of bigger boys. The twist, however, is that these bullies are not what they seem: behind their façade of aggression, they long for submission, and the young man holds exactly what they crave.

As the concept evolved, the focus shifted toward a new scenario involving two police officers on patrol. One of them, a straight man about to get engaged, has quietly carried a hidden yearning: the desire to be roughly manhandled by a dominant man. His partner, aware of this, is sympathetic and even knows the perfect person to help.

This brings the characters into the back alleys once more, where they encounter a young skater, a cocky, mischievous rascal who hides surprising depth and skill. Beneath the boyish exterior, he turns out to be exactly the rough and tough figure who can make the officer’s long-suppressed fantasy come to life.

John is a confident, laid-back young guy with short, textured hair, wearing a green hoodie over a white shirt, denim shorts, and green Nike sneakers, exuding a casual, stylish vibe.

Character tests

The boys in full battle dress. Different sizes, different temperaments. The big cop is the indulgent, straight, gentle giant—open-minded and eager to help fulfil his partner’s bi-curious secret S&M wish. The smallest of the group turns out to be the ferocious dom, a real pro, and the master in the art of submitting his subject to an endless range of pleasures and delights.

More Cops

As the story progresses, more officers enter the scene—first Brown and Johnson, then later, in the final act, O’Brien and Nicolas. It soon becomes obvious they’re in on the scheme, since they slip seamlessly into the bondage room activities the moment they arrive. Is this an elaborate setup, or some kind of initiation ritual for the newcomer? Throughout the frenzy, they remain eerily silent, ensuring Officer Smith believes he’s still alone with his Dom.

The Don's Lair

The room takes its shape from a 3D model called The Back Room, a dimly lit, invitation-only den that smells of secrets and smoke. I’ve borrowed pieces of it before in the Arcaddia series, but here it settles into its true role: the perfect lair for the Don.

Somewhere in the smog-filled city, Tin Pan Alley lies forgotten, its once-bustling streets of produce crates, Model-Ts, and cheerful shops now cracked and stained with grime, graffiti, and years of decay, while the roar of traffic and blaring sirens shatters the silence.

Related sections of this project:

• Wallpaper

• WorlDoc

• Gallery

• AddOns

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