Taylor Swift video bibliography
Added 2023-11-28 06:27:12 +0000 UTCBecause I HATE myself, I don't usually compile the script's bibliography into document format until the end, so I thought I'd share... can you guess what the video's about?
Eric Hobsbawm, 1962, The Age of Revolution, 1789-1848, p. 261
Miriam Rahali, 2021, On the genealogy of the American millennial ideal: a celebrity case study of neoliberal feminism in the 21st century
Johanna Bockman, 2013, “neoliberalism,” https://journals.sagepub.com/doi/pdf/10.1177/1536504213499873
Loic Wacquant, 2012, “Three steps to a historical anthropology of actually existing neoliberalism,” p. 72
https://onlinelibrary.wiley.com/doi/abs/10.1111/j.1469-8676.2011.00189.x
Rick Barker, Swift Manager Quote:
https://ew.com/article/2008/02/05/taylor-swifts-road-fame/
Swift for Rolling Stone, 2016
https://www.rollingstone.com/music/music-features/taylor-swift-rolling-stone-interview-880794/
Mayer for Rolling Stone, 2012
Sianne Ngai, 2015, Our Aesthetic Categories: Zany, Cute, Interesting
Maryn Wilkinson, 2017, “Taylor Swift: the hardest working, zaniest girl in show business…”
Douglas Wolk, 2005, “Thinking About Rockism”
Robin James, 2020, “Music and Feminism in the 21st Century.”
Elizabeth Keenan, 2014, “Gender Trouble: ‘Poptimism’ and the Male Critical Voice”
Myles McNutt, 2020, “From “Mine” to “Ours”: Gendered Hierarchies of Authorship and the Limits of Taylor Swift’s Paratextual Feminism”
Lily Alexandre, 2023, “2010s Pop Feminism: A Painful Look Back”
https://www.youtube.com/watch?v=bmnsK74khNw
Marcus Collins, 2021, “‘I say high, you say low’: the Beatles and cultural hierarchies in 1960s and 1970s Britain”; NOTE: though Collins does not make this argument, he compiles those who argue this POV (see: Wald)
Howard Goodall, 2004, “Lennon & McCartney,” Twentieth Century Greats
https://www.youtube.com/watch?v=ZQS91wVdvYc
Elijah Wald, 2011, How the Beatles Destroyed Rock 'n' Roll: An Alternative History of American Popular Music
Ian Gormely, 2014, “Taylor Swift leads poptimism’s rebirth”
https://www.theguardian.com/music/2014/dec/03/taylor-swift-poptimism
Jay Willis, 2019, “Taylor Swift's 1989 Perfected the Pop Crossover Album”
https://www.gq.com/story/taylor-swift-1989-perfected-the-pop-crossover-album
Sasha Geffen, 2017, “On 1989, Taylor Swift Became a True Pop Star”
https://www.vulture.com/2017/11/revisiting-taylor-swifts-album-1989.html
Milo Yiannopoulos, 2016, “Taylor Swift is an Alt-Right Icon.”
Sylvia Wynter, 2003, “Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation--An Argument”
Maureen T. Reddy, 1998, “Invisibility/Hypervisibility: The Paradox of Normative Whiteness.”
Robin James, 2019, The Sonic Episteme, (p. 48, 47)
Robin James, 2018, “Poptimism and Popular Feminism.”
https://soundstudiesblog.com/2018/09/17/poptimism-and-popular-feminism/
Michelle Broder Van Dyke, 2016, “Taylor Swift Called Kanye West's Song ‘Misogynistic’”
Caity Weaver, 2016, “Kim Kardashian West on Kanye and Taylor Swift, What’s in O.J.’s Bag, and Understanding Caitlyn” in GQ
https://www.gq.com/story/kim-kardashian-west-gq-cover-story
Inside Edition, 2016, “Taylor Swift Threatens Lawsuit Against Kim and Kanye For Phone Call Recording.”
https://www.youtube.com/watch?v=tcMjqnXnvLQ
GQ, 2015, “Bad Blood, Kanye West, and Wildest Dreams - Taylor Swift”
https://www.gq.com/story/taylor-swift-gq-cover-story
Annelot Prins, 2021, “On good girls and woke white women: Miss Americana and the performance of popular white womanhood”
https://www.tandfonline.com/doi/abs/10.1080/19392397.2021.2023852
Nick Owen, “Men and Purity,”
https://www.paper-darts.com/men-and-purity/
Robin James, 2015, “Resilience & Melancholy: Pop Music, Feminism, Neoliberalism,”
Taylor Swift, 2020, “Folklore: The Long Pond Studio Sessions”
Rita Felski, 2012, “Critique and the Hermeneutics of Suspicion”
https://journal.media-culture.org.au/index.php/mcjournal/article/view/431
Eve Sedgwick, 2003, Touching Feeling.
Bruno Latour, 2004, “Why Has Critique Run out of Steam? From Matters of Fact to Matters of Concern”
Eve Sedgwick, 1993, Tendencies
Comments
The poptimism vs rockist fight is so interesting to me. I think I might have a bias that I was unaware of before. To add, in my country there is a music genre called "manele", academically renamed turbo-folk, performed by rroma people. This genre is seen by many as "inferior" by racist connotations, and in return, some performers compare themselves to American rappers. There are many historical similarities I'm not capable of writing down without missing something. There was a cultural fight 10 years ago between "rock people" and "manele", which was kind of ended by people seeing it as cringe. To this day, tho, people will say when asked what music they enjoy "I listen to everything but manele" to show that they have "taste". I do understand that most manele songs reuse a small number of oriental chords and most lyrics are not particularly insightful, but as with any genre, there are gems. I'm saying this because I think it's a fascinating bit, and the extension to which music styles seem to define identity and the self, by both adding and "extracting", is interesting.
Irina Gutanu
2023-12-15 14:38:01 +0000 UTCTIL the term 'poptimism'
Kuro
2023-11-28 14:37:12 +0000 UTC
