Brainstorming #1 feat. Onyx

Hey everyone,

Towards the beginning of starting up this Patreon, when I was looking for things to share with everyone, I suggested sharing discussions with models, and people seemed like they thought it could be a cool idea. Unfortunately, I didn't always keep the best records of everything, so for instance, I don't have any record of my first shoot with Jennifer Rose (sighs deeply). I'm going to be more mindful moving forward in keeping tabs with all of the conversations I have with models regarding the fetish, so that you can all see not only the process, but also, get to see what models think about what they're doing! 

Since Onyx moved far away from me, I doubt we'll ever shoot again, but I'm happy for all of her contributions. She had a lot of enthusiasm, that I think comes across in these conversations. Unfortunately, I do not have a lot of my parts of the conversation, but I don't think you'll all mind too much haha. Also, since they are fragmented, there might be some parts where the transitions don't seem to make sense, since these cover long spans of messages/emails.

O: I would be down to make one unaware, but I definitely like the sadistic ones the best. Like maybe I tape them down to a table or bury them in glue so just their heads are sticking out? Lol. I’m having a lot of fun imagining. 

GQ: I’m trying to think up some potential scenarios that would mesh well with the style that you’re going for, so here’s a few starting points: 1) Having you be this sort of mythical creature that tiny people have heard of, but may not necessarily believe in, almost like a legendary tale. A group of tinies seek out where you’re rumored to be living, and then you discover them. 2) Maybe you find a small group of people, and then you threaten/torture them in order to get some type of information out of them? Perhaps others’ whereabouts, or something else?

O: Maybe for the first one I start off not aware of them...and when I find them I realize that I hold such great power over them that I start to do evil sadistic things to them. Crushing, eating, keeping them in jars for some to watch me torture the others...etc. 

GQ: Yeah, that might be interesting if you already have some of them in your jars.

O: I was thinking like an empty salt shaker/group jar environment. Or do you think we could fit one through the neck of one of these (links to small miniature jars)? Maybe we could have it where something of mine is moved and I find it strange, then I find something else knocked over and start looking around. Or, another idea could go something like this — I get a package in the mail. It’s a gift. The card reads, “Enjoy.” I open it and it’s filled with little people. I am thrilled. I find them adorable. I make a little place for them to live and keep them as my pets. I leave little crumbs out for them to eat and I toy with them by playing cat and mouse, but then one day I find one on my table eating from my plate and I am enraged. How dare they think they can take advantage of my hospitality? I then begin hunting them for real, crushing and killing them until they are all gone. I put their dead bodies back in the package they came in and throw it in the trash.

O: It could start with me doing usual daily activities like putting on makeup or cleaning up. We could have a desk or a table with the jar and it’s not really the focus. Then eventually I’m done with activities, I look bored for a moment and then pick up the jar, tap on it (I could have it up to my face and the focus could go from my eyes with the jar blurry to the jar in focus with me blurry). Then I could hear a clatter. I put the jar back on my bookshelf or counter or wherever I am keeping them, and I could go to the source of the sound...it’s the trap I set. Something that falls down trapping them (not sure yet what we could rig for that). I could run for a new jar with excitement and put them in. Then I could be playing with the new group (not necessarily sadistically but enthusiastically) while ignoring the old group. I could hear the first group tapping on the glass for my attention, but I am annoyed. So I go over to them and start torturing them. The new group doesn’t see this (I guess I could put them somewhere hidden). This goes on for a bit throughout the day. The first group is feeling neglected and is now craving my attention even though it is harsh and cruel. Eventually I kill them and then go back to playing with my newer group. I’m very nice to them and go through the cycle till I almost look kind of bored, when I hear the crash of the trap again. I smirk and toss the now older group aside and go for the new jar…

GQ: (I lost the first half of my response). I’d love to add some spacing in between that general premise, so for instance, maybe before hearing the first trap go off, we get a moment of you interacting with the first group, in order to establish your relation to the people for the viewer (she treats them/views them in whatever way). Then maybe in the middle of this, you hear the trap go off. Now we could either do one of two things if your plan is to destroy each old group, do you destroy the old group before going to the trap, so that the new group is unsuspecting and unaware of your intentions? Or, do you kill off the old group in front of the new group?

O: I think let’s do it so the new group doesn’t know their fate and they don’t see me destroying the old group.

O: For the one with the people being a Valentine’s Day gift, I think I should be astonished to find them...like I never knew they existed. I’ll go from surprised to pleased to evil intentions. I can start by treating them well and playing with them..and have it get more and more sadistic until filling a jar with water and watching them drown or something.

O: Okay, so I think we should create all the beginnings and then we can fill in the details of torture and twisted games accordingly. For a second idea, I love the gift idea, like a secret admirer or something strange like that. I could get a box or a heart-shaped box with a card, and I can read it and look perplexed but excited. I’d open it and be horrified at first, or curious. I could begin to poke them and pick one up and study them...we could make this one a bit more playful where I do different things to “see what they’d do” even though we obviously can’t see what they’d do. I could put one in a salt shaker (like the way they do with rice sometimes to keep moisture out) and for another make him slide down my spoon into hot tea. I’ll think of more detailed torture things but for now those are just general. We could end it with me bottling up the last survivor and gift wrapping it, writing out a card like I’m about to gift it to another person. Like that little guy’s got a whole other story ahead of him lol. We could make a third that’s more of me hating them like they’re pests invading my space and me straight up killing and torturing them (less play for fun, more cruel). Idk what appeals to the audience more, but it could be cool to have both regions covered.

O: I think let’s have it so that I have no idea who sent it but that I kind of like it, and I’m amused by it. Maybe we can get one of those Valentine’s Day boxes with the chocolate plastic thing inside, and just put one of the people in each of them like they’re the candy. Because I’m thinking that they should be the main focus of the present. Or maybe just rose petals in it with the people inside. 

GQ: Totally. It could even be both, like maybe there are some people inside the candy and some inside of the box? How do you want to proceed from there? Are you going to eat the candy first, or address the people?

O: I think I should go to eat a candy and then right before I do, I notice one of the people and I’m like wtf, all wide eyed and so I pick one up, study it, then kinda smirk like “this is neat.” And maybe at the end I could be eating them to get that in there.

GQ: Oh, so almost not noticing them at first? Do we want to have a separate box with the people, or are all the people inside with the candy? Trying to figure out how many people would be in this one.

O: One box, let’s say maybe 10. 

GQ: Okay sweet. So you notice the person, and then I’m assuming you take him/her out of the candy to inspect em?

O: Yeah. Maybe I go to lick it and then the phone rings or something that distracts me, and so I have to put them back and forget they’re there, so when I come back to eat them it makes sense.

GQ: Yeah, or maybe if you become intrigued by the person in your hand, you don’t notice the other people trying to escape from the box?

O: Oooh, yeah I like that!

GQ: So are you being kind to this person, cruel, manipulative, etc.?

O: I think pretty evil right away, because my secret admirer knows that I would like something like this, which becomes pretty twisted right away.

O: Also, I thought of another storyline which I’ll write at the end. For the last scenario, I think I should be keeping them in glass bottles for them to watch (as mental torture) while I sacrifice them periodically at an altar. It should start with me finding one and putting them in a bottle. I could be playing with the man in the bottle by holding him up to my eye and tormenting him. Then I could put the bottle down and turn it so that it’s facing the other bottles with the other men in it, so that he could now see “the others.” Maybe to draw it out a little bit, I could go on a search to find more of them, and once I do, I bring them back to the bottles and find the others tipped over and missing. I’ll throw some men I captured into something real quick while I go on the hunt. Once I find them, I bring them back to the altar and sacrifice them. Then I open the box with the ones I just captured and put them into the jars to show that I’m going to repeat the ritual at the end. For an altar, I think we could just grab some cool candle holders and place the little bottles with people on them until I get to em. 

O: Okay so another idea I had was having me be not so gothy, but more plain and normal looking. It should start with me just hanging out and eating cracker jacks or something as I read a magazine or watch TV. At the bottom, I look for the price and discover a tiny man inside of something. I’m in awe of the discovery and wonder what to make of it. Next, I could trap him in something temporary and I could leave and come back with more bags. Then I’m ripping them open looking for more prizes, but the rest of them are just normal. I realize how special my prize is and treat him like a pet. At the end I could eat him, to make it like a sort of Hansel and Gretel story. 

GQ: (Follow-up questions to the written scenarios). Should the people see you disposing of the old group, or should it be hidden?

O: Maybe we could shoot that from behind to create suspense, and then just show the jar off empty. 

GQ: What sort of task/activity should be in the beginning?

O: Let’s do it in the kitchen, where I’m either cleaning something up, or chopping something up. 

GQ: Should the first group be destroyed before grabbing the second group, or should the same jar be used for all?

O: I think different jars in order to suggest that this is a thing I’ve done several times.

GQ: Initially, are you nice and playful with the groups, or something different? 

O: Nice and then I get bored with them. I think it makes them more meaningless and demeaned that way.

GQ: What sorts of things should you be doing with the groups, and how should they die?

O: I think in this one I should eat them because they can see the jar is empty but they can’t see where they went. Then the second group I can eat in front of the camera and really drag out the torture.

GQ: How do you want to react from discovering the people inside of the chocolates?

O: I think my motivation would be thrilled and exhilarated, loving that someone gave them to me. Maybe we could put tape over them so they’re stuck in their chocolate piece placeholder in the box. That way I can take them out as I please and we could drag it out by having me do one at a time. If they’re stuck in their spots, I can choose to let one free and then hunt him. 

GQ: How should we end it? Once the last person is dead, should you continue on with your day unmoved? Or, should you not finish them, and put the box down as if you’re going to come back to them later?

O: Hahah maybe I could then whip out a box or container with the little people I had (previously unseen) and put them into the box, seal it out and leave like I’m going to deliver it to my own, different secret admirer. Just a silly thought. If it’s corny, we could do something else. I just like the looping ending ideas!

GQ: Where do you want to discover the first person? On the floor, eye-level, accidentally or while doing something?

O: Eye-level and accidentally. Maybe I’m putting on makeup and I catch them in the corner of my eye through a little mirror. 

GQ: How do you want to sacrifice them? Crushing, eating, something entirely different, objects? Different things for different people?

O: We can do both crushing and eating to make it freakier.

GQ: Do we want a different group of people trying to save them, or just the ones in the bottles?

O: Hmm, I’m not sure. You pick!