BtS: The challenges of writing Chapter 9
Added 2021-07-07 12:00:05 +0000 UTC
Note: This post is a serious, longform discussion about some of the thought that has gone into including BIPOC characters in BBN, particularly Nick and the tensions in the United States between race, policing and incarceration. As with most Behind the Scenes posts, this one sheds some light on the development process, and it can be read (or skipped) with no impact on your experience in playing the game. WARNING: There are minor spoilers ahead for Chapter Nine.
When I was sketching out ideas for what would become BBN, one of the things I decided early on was I wanted a meaningful inclusion of a gay Black man who was not in the story purely for comic relief or some other trope that all too often befalls characters of color. I also made the decision (somewhat controversial, apparently) to write the story from two perspectives, and decided Nick's experience could make an interesting counterpoint to Alex's naivete.
But there have been challenges with this. As I wrote in March, an erotic story such as BBN necessarily requires the objectification of the characters within it, but I also don't want the inclusion of any characters to be seen as part of a fetish that has racist or dehumanizing aspects to it. And that tension really came forward in Chapter 9 when Nick is beaten by cops and imprisoned.
I tried to stay on the right side of the line between acknowledging the brutality both in the real world and with Mayhew versus using Black trauma as narrative currency.
I considered taking a completely different approach to Chapter 9 but ultimately decided to stick with this one because it was very purposefully linked to the plot and designed to show that Mayhew, despite his pretty words, wasn't to be trusted. I also wanted an acknowledgment in the game that while Nick and Connor might be "good cops," there are others that abuse their authority. Finally, I needed a scene where Nick and Ronan's backstory could be told without Nick being able to just walk away from Ronan and short circuit the entire endeavor.
And so Chapter 9 had me writing Nick in a situation that I was very anxious could be triggering or seen as racially insensitive. From there, I purposefully wrote Nick as taking as much control over his situation as possible and refusing to submit to Ronan, while also giving the reader an opportunity to understand what was going on between them (and beyond them, i.e., Mayhew). This involved multiple drafts and then some rewrites of certain scenes or pieces of dialogue.
In the end, I hope what I wrote was a scene that was compelling and helped develop the characters while also being sensitive to the different perspectives and life experiences of the audience. If you feel differently, please let me know either here in the comments or via PM (via Patreon, Discord or Twitter).
Best,
BBN
Comments
Thank you so much for sharing this. I have a lot of anxiety around Nick's story and the issues around representations of Black men in media, but I also felt not including a Black man at all would have been a failure in its own way. So, I'm trying to be particularly sensitive and purposeful with Nick and his story. If you (or anyone else reading this) ever sees something were I stumble, please let me know so I can look at making it right. And on that note, yes, thanks for letting me know about some of the Italian phrases Santino was using. As it happens, a native speaker of Italian just went through all of Santino's lines last week and I've made a few changes that will be incorporated in the next build, and that's one of them! Thanks for flagging it!
Bound By Night
2021-07-17 17:29:57 +0000 UTCHonestly, this was quite noticeable during my playthrough. Being a black person, I was immediately wary of the representation of an African-American police officer in what seemed to be apparently a NSFW-focused game. Arriving at the end of the chapter 9, though (and with the entirety of the buildup right before), it was noticeable how much care it was put on building all characters (perhaps less for Alex's boss, but even then to a reasonable amount) without any stereotypes. It was quite an experience to see a game and go "oh sweet NSFW stuff" and then get extremely invested in a story with well rounded characters and storytelling. Also, this is very minor, but I noticed in the NSFW scene between Santino and Alex had a small error, ignorable - he said "succhiare!", and it probably would've been better to use the imperative form "succhia!", unless the infinitive was intended. (I'm a nitpicker, I'm sorry). This game is, amazingly, amazing. I didn't expect that much storytelling from what appeared to be at a first glance a NSFW VN. Ok, I think that's all, and thank you for making this amazing game for us.
September
2021-07-17 15:52:06 +0000 UTCIt's interesting to read this BtS as when I was playing through the chapter I was thinking that it was less Nick being held by the police and more Nick being held by a powerful villain who had bought out or otherwise corrupted the police in order to help him with his nefarious deeds. It had the feeling of a private prison where one-anyone in fact- would be "disappeared" who got too close to uncovering the truth or interfering with the villain's plans. So, I think you did a good job on the balance side of things as well as allowing necessary space for the story to develop.
ZackB547
2021-07-08 08:38:02 +0000 UTC