8/28/25
I like to occasionally lean into the Far Side comparisons when I come up with ideas involving cows. Also I have to say when I’m self reflecting on my work it really is kind of crazy how much more comfortable I am in laying out and coloring a complex scene. It would be interesting one day to look back at some of the comics I was making in year one where I was rushing through backgrounds, shading, small details etc. just to pick apart what I would do differently today. A bit of art advice I don’t hear very much, so I would like to impart it to you here: rushing through a piece to save some time actually comes at the cost of an eternally mid piece of artwork. I’ve learned this lesson a bunch, where I’ll rush through something because I’m over it or I don’t care how it looks, but then I look at it months later and I’m like “why didn’t I take more time with this?” So now, if there’s a building I’m sketching it out to actually look right. If there’s a sky I’m painting clouds. If someone is in the foreground, they’re getting shaded and detailed. It’s actually fun and much more satisfying on the tail end. (Pun intended hehe)
Beetle Moses
2025-08-31 16:38:42 +0000 UTChoneydabee
2025-08-31 16:31:36 +0000 UTCBeetle Moses
2025-08-29 12:02:35 +0000 UTCPaul Richey
2025-08-28 14:20:10 +0000 UTC