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The Caretaker
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Chaos Magic - 16/mar/2025

Were it not for Aleister Crowley, Austin Osman Spare would have been the most influential occultist of the 20th century. Primarily an artist, author and poet, he occupies a similar space in occult history to William Blake; less an occultist, more poet-mystic. His influence lies less in obscure iterations on masonic rites, more in poems and short screeds about the soul. Magic has always crossed over with art, but Spare makes this a central focus of his work. He made art about magic, and did magic about art. 

For other occultists, it is a simple task to comb through their life and influences, and construct a story which explains how they arrived at their worldview. This is difficult for Osman Spare. We know he was moderately well read, and enjoyed symbolist and Art Nouveau art, but that does not cast much light on how he arrived at his idiosyncratic worldview. He was an artist with a rich and highly developed inner world. 

His worldview is idiosyncratic, even among 20th century occultists. Equal parts a reaction to Nietzche, Freud, and William Blake, the hub of Austin Osman Spare is the unconscious. To him, it is the source of all mystery and magical power. Much of his work involves the magician working themselves into a magical trance that allows the conscious mind to take a back seat, which then allows ideas to flow freely from the hidden depths of the soul. 

That soul is quite deep. The depth of that soul comes from a concept he calls “atavistic resurgence” a combination of evolution and reincarnation, in which the compounded souls of millions of ancestral animals exert influence upon the human. You are you, but you are also all of the monkeys, lizards, fish, and blobs of amorphous proteins that we collectively evolved from. Each human being is like one of those ice cores researchers drill into the arctic to study ancient glaciers. Ten centimeters wide, two kilometers deep. 

That soul is created through the interaction of two fundamental forces, Zos and Kia. The exact meaning of these terms is deliberately obscure, and unique to Osman Spare, but nonetheless essential for a good chunk of 20th century occultism. Where Crowley’s work is rigorous metaphysics buried under poetry, Spare is metaphysics as poetry, but also normal poetry. 

Zos is literally derived from the greek root for life, but Spare seems to mean something both biological and unconscious. It is the desiring part of the world-soul, the component of the universal spirit with an animal impulse to continue existing. 

Its counterpart, Kia is similar to the concept of the Tao. It is always hidden, beyond comprehension, because it never actually manifests. It is a force constantly on the brink of manifestation, an eternal almost-completeness that spurs the world into being. 

Accessing these fundamental forces requires death, but not literal death. A repeated theme throughout his work is Thanatos, and the death-posture. We are conscious and comprehending beings in an incomprehensible world, made manifest by even more hyper-incomprehensible forces. To truly navigate the world, we have to get out of our own way, so to speak. The ego is the enemy, to have any fun it needs to be knocked out. 

What Spare offered by way of praxis, as in things a spare-ian could actually do, was methods of creating art. 

[INCLUDE THE I WANT A FAT BOTTOMED GIRL FOR THE PURPOSES OF SOCIAL CONGRESS IMAGE]

One of the suggested forms of practicing the death posture is automatic writing. A method of writing in which the user simply does not think about the next word coming out of their fingertips. For example, writing for twenty minutes, without stopping, no pausing or backspaces. Spare didn’t invent this practice, but he offered a simple magical explanation for how it worked. 

The most influential concept from spare, is likely his conception of, and method for creating sigils. This method has become so popular, that many today consider it to be an essential component of all magic that goes back centuries. This is not so. I will repeat it here in its entirety. 

CHAOS MAGIC

Realistically we should start with Austin Osman Spare, who himself was a student of crowleys work. He influenced Peter Caroll, and the two guys who invented discordianism. Peter Caroll was the guy who founded the illuminates of Thanateros, which is the body of Chaos Magic. 

SPARE

Key concepts:

The Unconscious - Spare is critical of both freud and Jung, but the nature of the unconscious is central to his beliefs. He constructs an unconsscious that is kind of a black box, a pond of dark water from which all spirituality arises. The unconscious is the central pivot of Spare’s work.

Atavistic Resurgence - A union of evolution and reincarnation. Spare believes that the soul is the result of the influence of the “ancestral animals” from which we evolved. 

Neither-Neither - Its The One. 

Zos - Literally means life but its more like complete physical and spiritual embodiment. Its like if thelemic Will had a biological and unconscious element. This is so unique to Spare its hard to really explain what he means by this. “Spare considered “Zos” to be the body as a whole, including the ordinary mind: the whole mortal, fleshly, existential entity of the person. In later life he would refer to himself as Zos. It seems to combine a sense of the biological or animal with the esoteric; animal from the related Greek roots zoe, life, and zoion, animal or beast, giving rise to words like zoo, zoological, The Zoist (the name of a Victorian periodical and a society, the Zoists, to which Spare's friend Victor Neuburg belonged), “zoetic” (‘pertaining to life’) and so on.” (London’s Lost 36)

Kia - A sort of universal consciousness like the tao or world spirit, but of a deliberately obscure and non-immanent sense. Kia is always on the verge of manifesting, but never does. 

Thanatos / Death Posture - the temporary annihilation of the ego through meditation. Often sexual but not always, a no-mind.

Sigil Creation - One of the things Spare is most famous for. He developed what is perhaps the most commonly cited method of sigil creation shared on the web. The one involving cracking a sentence down into its conjugate parts and then reassembling it into a non-linguistic symbol. 

https://hermetic.com/chaos/austin-osman-spare-and-his-theory-of-sigils im just gonna copy it from here

Automatic Art - A man of my own influence, spare was extremely influenced by the idea of automatic art. Allowing the body to take over, and impulses to flow unimpeded from the subconscious was a huge part of his work. 

As an artist, for someone so concerned with the subconscious and the nature of experience, he trades heavily in sexuality, both sexual and otherwise. His critics and fans alike called his work grotesque, yet attractively so. 

What is magic to osman spare?

LIBER NULL

Chaos Magic itself starts with the Liber Null, which has two main pillars:

Liber MMM

Sigils

Liber Lux / Nox

Gnosis

Evocation

Invocation

Liberation

Augoides

Divination

Enchantment

The Liber Nox

Random Belief

Alphabet of Desire

This is also where we get some Aeon of Horus type stuff about the millennium.

PSYCHONAUT

Here’s where we get the idea that the goal is to drown the confused in counter-information, to the point where they lose their grip on reality and achieve a sort-of enlightenment. Whelp. 

This is very anti-psychiatry but weirdly jungian. This whole thing is like, a jungian individual using thelema to interact with an inanimate and aristotelian universe driven by chaos. 

There’s a lot of like, tongue-in-cheek references to the fundamental untrustworthiness of Chaotes in general, but I have trouble squaring their anti-theism with what seem like a sincere belief in action-at-a-distance magic. Or, maybe they’re taking the psychological angle. Like, the mind can’t actually shoot beams which cause people to get run over, but the practices of chaos magic can make people feel like they can. 

So what is magic to the Chaotes? It is crowleyan Will acting in a jungian “inside out” universe. Its a mechanical, psychological interpretation of thelema. 

Comments

i don't really get this one! seems like it's saying the same thing as the last one, all intention and temporary. instead of all the time, and in small pieces theres relief.

Kotorium


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