I love working with Georgia Brown; it was at the Kiln studio in Stoke-On-Trent this time.
She is gorgeous looking, the most lovely person, has no inhibitions - at least none I have discovered, and is a veritable posing machine who genuinely cares that photographers get the best possible images.
What more could you want in a model?
The light in this studio is a bit complicated:
It’s natural light from both sides of the room and requires some v-flats to control it (which they didn’t have), so I had to hang a cloth I brought myself and an improvised stand - and try to get it to be where I needed it not to have the light turn out flat.

I managed, because I always travel with the fabric.
But not having v-flats or large foam-core boards in a studio is a fatal oversight, in my opinion.