In AU5's recent video, he introduces the Ultra Comp, a filter combination in Ableton Live using devices like a flanger, phaser, and frequency shifter. This summary will show how to recreate this in Bitwig Studio. The Ultra Comp creates a spectral filtering sound and a moiré pattern in the spectrum analyzer.
Device Creation: Starts with a flanger using two delays, then uses phase-inverted flangers for an All-Pass effect, ending with a frequency shifter for a Shepard tone effect.
Bitwig Implementation: Uses Bitwig's All-Pass modules to replace phase-inverted flangers, analyzes with EQ curve analyzer, and creates custom filters.
Flanger Creation:
Uses two delays to split the signal, achieving minimal delay for flanging.
Combines the delayed signal with the dry signal.
All-Pass Filters:
Create notches in the frequency spectrum.
Mixed with the dry signal, they act like low-pass filters.
Increasing poles adds more notches, creating complex filters.
Frequency Shifter:
Adds a Shepard tone effect by shifting frequencies.
Can create stereo effects by shifting left and right channels differently.
Bitwig FX Grid:
Utilizes 50 All-Pass modules for extensive filtering.
Adjusts phase relationships with a frequency knob.
Blends dry, delayed, and dispersal signals for the final output.
CPU Considerations:
More All-Pass modules increase CPU usage.
Duplicating the effect amplifies it but also increases CPU load.
Alternative Method:
Uses Bitwig’s frequency split for spectral filtering, less CPU intensive.
Can add effects like flangers, phase shifters, or frequency shifters in FX boxes.
Sound Characteristics:
Different methods produce distinct sounds.
All-Pass method offers unique audio qualities.
Practical Use:
Suitable for color-based producers.
Allows for extensive sound modulation and customization.
The video includes detailed steps and analysis for recreating and understanding the Ultra Comp effect in Bitwig Studio.
Download: https://bit.ly/3XUYQL1
Au5 Video: https://www.youtube.com/watch?v=_SyB2WqKwP4