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Global Chord Track

In my latest video, I focused on enhancing my music production techniques by creating a global chord track in Bitwig Studio. Here are the key moments:

Key Steps in Building the Chord Progression:

Enhancing the Track:

Bass Line Creation:

Concluding Thoughts:

Global Chord Track

Comments

This is really useful, but the confusion I often encounter is how to see what chords the corresponding small verses are in the entire song, and how the lyrics should be displayed. Do you have any suggestions?

ZenBreeze

Interesting kludge. Nice way to overcome #pianocentrism, which is so pervasive in our scene. (Personally, while I never became proficient in keyboarding despite years of piano lessons, both required and informal, I’ve found grid-based controllers way easier to learn. For instance, a layout similar to the strings on a bass guitar (or the first four strings on a guitar) has become quite prominent on different devices, from Launchpad to GeoShred, Push to LinnStrument. We can call it “chromatic rows in fourths” or just “fourths grid”. It’s isomorphic in that the same shape/gesture has the same results in any key. Another option for layouts is some kind of hex grid. Tomorrow, I should receive my Exquis from Intuitive Instruments. If what they say is true, it should be really easy to learn. Especially for music based on stacked thirds, as remains dominant from the Common Practice Era to today’s electronic music, in no small part because of German musical traditions.) Anyway, back to chord tracks. While you’ve “read my mind” on the previous video, this isn’t really what we need as a chord track. At least, not in terms of the full experience we're supposed to have with a chord track. Never really used Cubase, so I don’t know what the affordances there are for deep chord work or limitations in that method. I guess the mean examples I have in mind come from Tracktion’s Waveform and from some “theory plugins” which implement their own pianoroll with an elaborate routing system. More to the point, apps designed specifically for Jazz-style improvisation provide a great model for how things can work. Sure, it's neat to filter any note which isn't in the chord. It’d be neater to have an idea of which chord we're in, at any given moment (and, better yet, which chord is coming up). Besides, BWS could really improve on things for everyone, including through tuning each chord appropriately (one option being “Hermode Tuning”, also from Germany). So, I still hope Bitwig GmbH will implement chord tracks at some point. Maybe not through the 5.x period. Could be great for BWS 6.0!

Alexandre Enkerli


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