(The picture above is a screenshot I took of a nice Instagram post from when I was doing Savage at the Soho Theatre in London in January)
Savage is coming out today! I asked Zoe Coombs Marr, and she said hers (the brilliant Bossy Bottom) went up about 10am AEST on her due date, so I have about an hour and ten minutes (at the time of starting to write this) before it’s in the world.
I’m trying to calm and equanimise (not a word) myself for whatever happens. Which is sort of impossible. Like my friend’s dad who’s a prepper, and when the bushfires came, had a shed full of petrol. He was okay, but the point was... I don’t know what the point is, and it’s close to impossible to brace for an emotional wavefront anyway. You just sort of have to have a sense of your center of balance to come back to.
Some people will like it, some people won’t.
The point is, I can’t prepare for the thing that I absolutely know is coming.
I don’t like the idea of people reviewing Savage.
Despite the fact that I have LITERALLY invited review. No, let’s be more honest. I don’t mind if they get it. But I can’t help but feel like it’s presumptuous for people to have pipe-tapping beard-stroking smug opinions on how I choose to articulate my relationship with my mum. “Nice eulogy, but...”, “is it really comedy?” I want to scream fuck OFF. Or (more shamefully honestly), give it five stars and fuck off. Because of course I want people to see it, and it’s also art, and has to be taken (judged?), weighed, experienced as art.
Standup is so personal, all reviews can feel like a referendum on your value as a person.
Of course, I know - a lot of the feedback I’m going to get is not personal... most people don’t think about artists as people, really. Most people want to take a piece of art and fit it into a landscape. They want to be able to say;
“What’s it like, though? What can I compare it to? Is it better or worse than Gadsby?* What are the politics of approving/disapproving? What does it say about me to say whatever I’m saying about it.”
Of course you’re asking for it, when you put your work out there. I’m asking for it, by wanting people to see it.
I wasn’t sure if I should put this particular thing out on a wider platform like this or not, partly because it is too close to me. Partly because I did it with the Trilogy podcast. Partly because it’s early work of mine (2014/2015). I’m a better comedic craftswoman now. Partly because it’s my heart on a plate. And of course that’s why I decided to do it anyway. Because it’s my heart on a plate.
Come, here’s my heart on a plate. Have at it.
Xx
A
*neither
Tim Parsons
2020-04-17 15:32:37 +0000 UTCIan Nicholls
2020-04-17 06:48:30 +0000 UTC