There’s an article floating around on the internet (I know I shouldn’t respond to these things) about the civil war in comedy. It’s in The Hollywood Reporter here)
My first instinct is that comedians can’t have a civil war. That would require at least two marginally unified forces (I know civil wars often have more than two sides but they have at least two sides that can gather something like a fighting unit, and I’m suggesting comedians are bad at sides).
For the most part we can’t even unionise or unite for self interest. Comedians are very very often pathological outliers. It’s the best thing and the worst thing about the personality type that finds itself drawn to comedy: they’re not usually box tickers, and they’re not a big fan of standing in line for stuff.
My jewish granny used to say “two Jews, three opinions” (the dialectic tradition in Judaism is a gorgeous fighty thing, and if you’ve not been exposed to it, I highly recommend you read at least a page or two of this). This saying goes for comedians too - maybe it’s one reason I ended up in that tribe. I feel like at least for me it’s “one comedian, heaps of opinions” and I quite like that, though of course it can descend into relativism, amorality and nihilism for some.
But certainly you can be uncomfortable with the tendency for bandwagon jumping and the randomly assigned severity of social media reputation pile-ons, and also fiercely argue that comedy times change and hack offensive jokes don’t fly as well with today’s educated comedy audiences, while also defending the right to free speech and protected spaces for outrageous art.
That I don’t see getting discussed much is its essential randomness. It feels unfair whether you believe people should be held accountable for their past actions through the medium of public opprobrium or not.
Whether somebody is held to account, and how much damage they receive to their professional life or public image is assigned according to the currents of social media algorithms; having a popularity contest for a public (metaphorical) stoning feels unfair. Whether someone is inadequately or disproportionately “dragged” on twitter for anything from a peccadillo to a crime depends on the same ineffable quantities as whether a video clip goes viral. Surely nobody can be happy with that as an outcome, even if you see cancel culture as the purest manifestation of an urge towards justice?
There’s a reason that our legal system (at least the Aus and U.K. parts I’ve studied) aims to have sentencing for crimes to be clearly understood and proportionate. You’ve heard the phrase “cruel and unusual”, but it’s the unusual part that’s relevant here.
We punish people for crimes inside a democracy, but even courts with a jury abdicate the democratic process in the pursuit of justice. The stylised form of the courtroom doesn’t allow everyone to have an opinion on how a criminal ought to be treated, and there are very good reasons for that.
See youse around!
If you’re in LONDON, come see my shows on Sunday: 7pm MYTHOS at the Albany for the Objectively Funny Festival, and 8.15 Savage and then MYTHOS at the Camden Comedy Club
CrispnCrunch
2019-09-28 03:12:58 +0000 UTCLars Ivarsson
2019-09-27 08:51:49 +0000 UTCMike
2019-09-27 08:05:49 +0000 UTCMike
2019-09-27 07:45:32 +0000 UTC