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Lost Rambler
Lost Rambler

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Arc II, Chapter 81: The Tape (unedited)

Kimberly and the monstrous Lillian were back Off-Screen for a moment.

Before I could even yell with Flashback Revelation, Kimberly pointed to the Die Cast and said something.

On-Screen.

Lillian looked confused at first. She saw the buildings and booths around the Centennial burning, and the fire reflected in her crazed eyes.

“You!” she screamed. “It’s you.”

The Deathwatch screen on the red wallpaper flashed back. Some fancy editing between shots of Lillian lying on the floor of the burning Mansion staring up and the Die Cast in that same mansion. It gave the impression that she had seen him on the day the manor burned, even though she didn’t really.

Lillian Geist was no longer the gasping young woman who had been burned in the Manor Blaze. It had been eight years for her. Eight years of mutation and experimentation. What remained of her was a true force to be reckoned with. She was almost as high of Plot Armor as the Die Cast. With her tropes, she was even stronger, at least physically.

Of course, there was a catch. She was only strong against enemies who had harmed her in the past. Her fragile psyche prevented her from being a real threat to the average passerby.

But the Die Cast was not a passerby. The Die Cast had burned her.

“You killed my family,” she screamed. “You did this to me!”

The wriggling worm that had been grafted onto her face writhed and rattled to punctuate her scream. She was o longer human and she meant to prove it.

She attacked.

Her A Woman Scorned trope must have activated because her Plot Armor jumped up seven points.

“You’re the reason they did this to me!” she screamed as she tackled the Die Cast to the ground. “I’m a monster because of you!”

The Die Cast tried to throw her when she grabbed her arm, but she grabbed his arm back and, with screaming effort, snapped it backward.

The roided-up monster Lillian just might win the fight.

Everything was doomed. We were too late.

The Die Cast eventually managed to throw Lillian back into Dina. Dina landed on the ground. She seemed fine, but one of the long, smoky tendrils of the spirit controlling the Die Cast reached up to a large hit the bell game. Suddenly I heard a bolt snap.

The entire tower with the bell at the too fell to the ground.

With a loud dinging sound, Dina’s head was flattened.

Gale screamed out at the sight of it, losing whatever control he had over his old body. Without Dina’s sweet nothings, he was ejected off his body and the spirit reigned once again.

Lillian was up.

She and the Die Cast squared off.

I hoped the Die Cast could kill her with some combination of brute force and bad luck, but I had forgotten that Lillian had the trope called Animals are Psychic, which gave her preternatural instincts.

She could dodge any bad luck that came her way.

A propane tank zoomed through air like a missile. She dodged it.

An electric go-cart from the go-cart track zoomed by with no driver and sparks flying out of its motor. It had no chance of hitting her.

Luckily, the Die Cast was not without his own physical prowess. He managed to catch her in the side of the head his led pipe when she was dodging a live wire that danced around on the ground.

The pipe hit her with a loud, satisfying thwack.

The Die Cast was on her. His hands were around her throat.

She wasn’t down, but things were looking hopeful.

And then, I heard the snarling.

A large dog, a great beast, jumped from nowhere and clamped down on The Die Cast’s arm.

The dog was dragging on him with force and power. The Die Cast had to let go of Lillian.

He couldn’t shake the dog. That wasn’t surprising.

The dog, after all, was undead.

Bobby jogged into view moments later.

On-Screen.

He stood next to me and said, “A few years ago, a home invader shot one of my dogs. Thought I would pay him a visit.”

And then it hit me.

Bobby’s license.

It gave him the right to use the Coles’ dogs from the Permanent Vacancy storyline. It never said it only applied to the living ones. One of them had been ghost-zombified when Bradley Spiers killed it.

If there was any storyline where a ghost dog could get some play, it was this one.

The dog held the Die Cast’s attention absolutely.

Bobby and I went Off-Screen.

He smiled at me, obviously proud of his impressive improvisation.

Dina reappeared, this time as a ghost, hand in hand with Gale, her movie husband’s spirit.

Together, they worked to free Gales body from the spirit that bound it.

Lillian clawed at the body. The dog was nearly ripping his arm off.

We were winning.

Lillian was going to survive.

On the red wallpaper, I saw, to my horror, Antoine and Cassie (who was having trouble breathing from some old smoke damage she had gotten somewhere).

Roderick Gray was turning tail and running.

They had the flask.

The fresh cement that was being used to erect the Bartholomew Geist statue next to the Now buried time capsule was still liquid. Liquid enough to pour in a flask.

I had to act.

What could I do? I had no lines for Flashback Revelation to describe what needed to happen.

I had one option.

“Bobby!” I screamed.

He looked at me startled by the fact that I wasn’t smiling at our winning efforts.

“Lillian has to die,” I said. “This was all a trick.”

He looked at me like I had three heads.

“What are you talking about?” he asked. “She’s supposed to live. To die in the second storyline.”

How was I supposed to give him the same revelation Isaac and I had?

I tried my best.

“Remember the Stranger?” I said.

He nodded, still unsure of what I was wanting.

“He told us this was a trap, but we didn’t believe him, not the right way. We thought we knew what he was talking about. He was using that weird trope, you know the one?”

Bobby thought back. I saw confusion spread on his face. He must have been realizing something too. He was a ghost, after all. He fell to his knees.

“Why are you… What does it mean?” he asked. “What is happening with my head?”

“You’re realizing you were under the effect of at trope,” I said. “The true ending to the story is a trap somehow. You have to believe me.”

He sat back, dazed, possibly thinking through all of the things that mind-altering trope had caused. How many things had we overlooked because we were unable to believe this was all a trap?

The whole Tutorial took on a new light.

“Bobby,” I said. “We don’t have time for this.”

As I spoke, I heard a loud sound accompanied by a blinding light.

The spirit of vengeance, the creator of the Die Cast, had been split from Gale Zaragoza’s body.

We had won. I saw Antoine filling the flask with wet cement to rid us of it for good.

And in doing so, we were going to fail.

“Bobby!” I screamed. “Have your dog kill Lillian before the movie ends. Do it now!”

Bobby shook his head. “I need time to think! I don’t understand.”

“Bobby, you have to trust me!”

Isaac stepped in. “Bobby, if we are wrong, there are no consequences. We know that the Tutorial can be replayed until you get the true ending, but if we are right, we have no idea what might happen to us.”

Great point.

Bobby seemed to think so too.

He stood and called to his dog without speaking.

The dog let go of the limp Die Cast and looked at his master.

Without hesitation, it jumped at Lillian Geist’s throat.

Really hoped we weren’t wrong about this one.

Lillian was so strong because of her A Woman Scorned trope. That applied to the Die Cast, but not to Bobby’s dog. Her stats dropped.

She screamed in anguish.

Dina and Gale turned and yelled at Bobby.

But it didn’t matter.

Just as the needle on the Plot Cycle clicked over to The End, Lillian fell dead.

~-~

“What did you do, Bobby?” Dina screamed. She was alive again.  We had beaten the storyline.

I looked at my hands. I lived too.

We were out of the storyline. I was back in my hoodie. Oh, how I had missed its soft embrace.

“Don’t yell at him,” I said. “I asked him to.”

From the distance, Antione arrived, confused to see the dead Lillian Geist.

“We failed?” he said. “I thought we were doing good?”

He cursed.

I couldn’t explain it to them all at once. There was one thing I thought that might shine light on things.

“Dina,” I said. “Do you still have that tape you stole from the carriage that picked us up?”

She reached into her purse that she used her luggage tag on.

“Yeah,” she said.

“Have you listened to it?” I asked.

She shook her head. “I was tempted a few times, but I could never find a tape player.”

I grabbed the tape from her hands. It was unassuming. Made from white plastic.

Everyone was there with me. They gathered close.

“We were told by Carousel to listen to this tape,” I said. “It was on your stealing trope, remember?”

Dina nodded.

“Then, we were told by Constance, the librarian—”

“The Paragon,” Isaac interrupted.

“—that we should not listen to it because it was a trap. We would steal Carousel’s thunder, yada yada. We obeyed because we thought she was smart. Because we trusted her. I think she used some kind of trope to control us.”

The silence as they considered what I had said was deafening.

“Here,” I said, “Retrieving my off-brand Walkman. I took out the headphones so that the audio would play out loud. “I think we should listen to it.”

I put the tape int, rewound it all of the way to the beginning, and pressed play.

The tape came to life with a familiar voice. We all listened intently.

~-~

"Greetings. I am Silas Dyrkon, your Narrator through three separate tales of horror that may not be so separate after all.

In the stories I have before you this evening, the people of the town of Carousel are anxiously awaiting its Centennial Celebration. However, time has twisted into a nightmarish loop where all known things become unknown, forcing its residents into a bizarre reality where every day is the day before its anniversary.

As dawn's first light creeps over the horizon, the cursed history of Carousel unravels. A death that was never meant to be has shattered the threads of fate in this humble little town. Now, horrifying lab experiments are lurking beneath the streets, and ghostly apparitions are whispering secrets of the past to the players of a vintage board game. The curse, more than just disembodied magics, is harnessing fate itself and seeks blind revenge, trapping the townspeople in an unending cycle of terror.

At the heart of this mystery lies the enigmatic Geist family, whose darkest day holds the key to breaking the loop. Will Carousel break free from this endless eve or remain forever on the cusp of a celebration that will never come?

Step into the twilight of Carousel, where destiny stands still, horrors lurk beneath the streets, and the eve is eternal.

Welcome to 'The Eternal Eve.'"

Silas’ voice cut out and a polite, well-spoken woman started to speak.

The Eternal Eve Throughline begins with three Centennial storylines centered on the Geist Family. With these three stories completed to satisfaction, you will be signed on in the employ of one of Carousel’s most beloved Narrators, Silas Dyrkon. Mr. Dyrkon will send his players on an unguided quest to locate the fabled Missing Geist Storylines.

To join “The Eternal Eve,” please keep listening after the chime as you make your way to the Carousel Downtown. As always, be sure to keep your eyes peeled as you go because the town you see might not be the one you know.

Now, onto the Featured Throughline!

A chime rang out.

Then, it started playing the recording we had heard before.

"Ah, good evening, my esteemed guests," boomed Carlyle's voice. It had been so long since I had heard it.

I stopped the tape.

Antoine cursed.

Isaac clapped. “I don’t know what it means, but I am excited.”

In the distance, a robotic voice told us we had won a ticket, but we were not so concerned.

Comments

it took me a couple of minutes to fugure out this phrase "the Die Cast reached up to a large hit the bell game" maybe change it to "hit-the-bell"

Federico

It seems that Riley and Isaac where kept in the white void specifically so they could figure this out. We know Carousel can know what people are thinking, because it knew when Riley figured out the Geists were dying in order, despite him not saying it out loud. Carousel must of known that Isaac was suspicious of the Paragons, and kept Riley and him alone together until they eventually talked it out. Y'know, this shows that Isaac has some pretty good instincts. I don't think anyone else thought the Paragons were tricking them. Hope he gets some credit for this reveal, he deserves it!

Bakerdea

The play is probably to avoid triggering any throughlines if possible for as long as possible gather intel and resources rescue some vets if possible try and figure out which is the “True Throughline” or if a “True Throughline” even exists my bets on no for that one and if one doesn’t exist they have to pick with some other criteria easiest to complete, least dickish narrator, most likely to get them out of Carousel as a reward etc. The issue is we just don’t know what completing a throughline actually means for them or the narrators that seem to run them.

Kain

Carousel is nice enough to give you multiple options. Unfortunately, they are all terrible options.

Kain01able

You will get a full explanation.

Bobby Thom

Hm yeah so they were setting themselves up to get on the wrong through line which was what the trap was? I feel smooth brained because while I get that signing onto this one was a manipulation of the paragons I don't quite get why, or how they're going to find other ones, or if they even satisfactorily cleared this one. The way it ended at the last moment and Silas showing up still has me a little confused. I'm very excited for the next chapter to give a little clarity though

EDMANGO

So, what happens now? Find a way to trigger another Throughline? If they do then who does that help? What path helps them? Hopefully the next chapter clears this up because I'm unclear on what the plot is.

Jadedknot

Well with all the paragons getting hit with the untrustworthy stick that does throw into question the cosmology laid out by Constance in “The 4 stages or Carousel”. She talks as if there is one central throughline that gets traced back to Drykon and Ghiest founding Carousel with a bit of a mention of “the time before” in The Dark Stage. IMO she was talking about this throughline the one they were almost forced into tracing back the “The Eternal Eve” throughline. But now it’s been almost confirmed that there are muktiple throughlines and I’d bet each has a similar tutorial or event that the throughline is named after and that sits at the furthest point in that throughlines history. We are starting at the endings of each of these stories and working backwards. I think the picture she painted was close to true but not 100% true. I think “The Dark Stage” and the current “unnamed stage” are more or less accurate I think the ones she may have lied either outright or by omission about were the “Founding Stage” and the “facsimile stage” my bet is she lied by omission she presented the “The eternal Eve” as the one and only throughline when in reality there are multiple. I think the reason Riley and the others never “got on the throughline” is because when Carousel broke when adding the Damsel paragon it was running a different throughline unrelated to the Ghiest or anyone else we’ve heard of. She said that when Carousl broke out of the Facsimile stage into the current one players stared getting lured in in a new different way I’m betting originally you didn’t have massive amounts of different teams all running around the place you had a few at most and if they all wiped the board was cleared and a new batch was gathered, I’m also betting this kind of wipe is the only way for a throughline to be ended other than actually making it to the end of it. I think each new batch picked their throughline by completing some action or another, like getting the “true ending” to these three storylines. A never ending flow of players stopped this reset from happening. Which then motivated other forces Carousel or other Narrators or players who somehow got strong enough to actually manipulate Carousel into helping with project rewind. I’d bet each narrator wants Their Throughline to be completed specifically probably because it gives them dominion over whatever’s at the heart of Carousel.

Kain

Wooo! I was right there are more than one thorough line. A lot of interesting reveals here. I wander how they will proceed from here?

Vega

That's exactly what I was thinking. And we finally have a title for "they," The Narrator's. Interestingly, it seems they are looking for the Geist lost storylines. Perhaps these storylines have something to do with the founding of the Carousel and the big mystery surrounding it. And a Curse mention from Silas, I wonder if that's related.

Scarred Ragdoll

Wowza. Great series of chapters and a lot to chew through. Makes me want to reread the whole tutorial. I wonder if the key line here is ‘under the employ of Silas’. We’ve had Silas himself say you don’t want to actually make a deal with him.

Rob


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