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Art History Lecture w/ Tom Richards - The Nude Pt. 2 - Energy

An Installment in the Art History related content on The FAA Collective Patreon


Dear Patrons,

Thank you for your support! This week we are excited to present you with a new art history lecture, the second in a three-part series on The Nude with Tom Richards, Assistant Director of The Florence Academy of Art. While the first lecture in the series focused on how the nude can and has been used to emotionally influence the viewer, in this lecture, originally presented for students at the FAA, we are taken through many works of predominately sculpture, focussing on how the nude form has been used in various compositions and positions in order to portray dynamic movement and even movement over time! From nude figures in Greek and Roman art to Michlangelo’s Ignudi on the ceiling of the Sistine Chapel, to famous works by Gian Lorenzo Bernini and Auguste Rodin, we are shown how the position and implied movement of figures impacts the narrative of an artwork and how drapery and the position of the figure can be used as tools to imply much beyond what is present in the static object or image itself. We hope you thoroughly enjoy this lecture and remind you to keep an eye out for the third and final lecture of this series, The Nude Pt. 3 - Desire!

To view the first lecture in the series please visit:

Art History Lecture w/ Tom Richards - The Nude Pt. 1 – Pathos 


Tom Richards is Assistant Director of the Florence Academy of Art, Principal Instructor at the academy, and a working artist based in the UK and Italy. To view his work please visit:

Instagram: @tominflorence 

Website: www.tawrichards.com 

FAA Gallery: www.florenceacademyofart.com/alumni–gallery/tom–richards


If you would like to further research the works from the lecture we have selected details on artists and artworks below, in the order presented in the lecture:


Art History Lecture w/ Tom Richards - The Nude Pt. 2 - Energy

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