Three paintings in Good Mud were made with an underpainting called a Grisaille. I glazed certain sections of the grisaille with a vibrant red orange. I could’ve only really done this with a monochrome underpainting finished with a degree of detail underneath. Not all glazing is like this, where you just put a thin veil of chromatic color over a grisaille, glazing can be more subtle than that usually. But if you paint a very graphic object in grisaille, and you prefer there to be a monochrome color on top, this technique works really well I have found. I learned about this technique when copying Caravaggio paintings in Rome back in 2011/2012. I believe he worked over a grisaille for a lot of the cardinal red fabric and glazed red on top. Easy.
colleen barry
2025-04-30 15:43:49 +0000 UTCNoah Trapolino
2025-04-28 13:59:54 +0000 UTC