00:25 - Why didn’t you use the Zack Rack or humidity tent to make the canvas pliable to close the tear.
03:00 - Explain what happened with the retouching timeline; the face and scarf…
03:53 - Was the original painted during her life, were there lots of copies?
05:10 - Do you ever use the UV light to see what you have already cleaned?
05:54 - Why did the cleaning swabs look darker over the brown background as opposed to the face.
07:10 - Is it harder to clean next to the tears?
07:46 - When you retouched you started at the top and went to the bottom as opposed to sticking with one color before moving to the next color… Why?
09:58 - Why do some paints require an isolation/saturation layer and others not?
11:03 - Are you and other conservators known for certain types of work/projects?
14:18 - How can you be so patient all the time?
16:19 - Talk about how the lighting changes your retouching and how you deal with that.
18:44 - Why couldn’t you use oil paint on this piece?