00:56 - Did the owner know just how bad the old work was?
03:09 - Would x-ray or infrared imaging been useful to see through the overpaint to the original paint layer?
05:20 - Did the paintings not have a varnish layer, and isolation layer or anything separating the original work from the new work?
07:05 - What was the discoloration on the reverse of the painting around the face?
08:12 - Why couldn’t an eraser have been used to remove the adhesive?
10:08 - Talk about solvent exposure and how it’s not great for you.
11:21 - What would you have done if you couldn’t remove the signature form the back of the canvas?
13:05 - Talk about the decision to blur out the name of the previous conservator.
14:24 - Two questions: did the owner have to pay for the old work? And, did you reach out to the previous practitioner?
17:07 - On to the front: how did it get like that, how did I know it could be fixed and a few musings on challenges and creativity.
19:48 - WHY no x-ray and what was it like revealing the painting from under all that overpaint?
21:32 - Have you ever found a piece so damaged that recreating parts of the image were necessary?
23:16 - Talk about that twist at the end with a second portrait.
24:01 - Any advice on how to find a good conservator so to avoid disasters?
26:46 - Bye!!
oshra duek
2023-09-16 19:22:24 +0000 UTC