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Scott Bieser

Scott Bieser

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Scott Bieser posts

1937/205/137

Long conversations like this one compel me to come up with more view angles. The problem with Carmen is her hat makes it tough to do high-angle shots.

2019-06-06 15:00:04 +0000 UTC View Post

1936/204/136

Carmen Raynal is friendly, attractive, and dangerous.


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1934/202/135

What I did in the 3rd panel was use a photo of Churchill Downs as a scale reference, to get the relative sizes of stands, track and horses done realistically enough to emphasize that in-story, this...

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1933/201/134

Diana's gotten very tired of being pushed around


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1931/199/133

Jacques Bouissou is sort of a cross between Beldar and Zippy The Pinhead. Coneheads have some variation in their head-shape, but they all have a Point.
The tiles on the wall in the background we...

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1930/198/132

Well of course they have ice cream parlors in Bubbleopolis. Why wouldn't they?


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1928/196/131

While designing all these mercenary characters I tried to keep in mind that I'll be using them again fairly soon.

2019-05-17 17:00:03 +0000 UTC View Post

1927/195/130

Diana is still learning how to do negotiations.


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1925/193/129

TFW you get home from a long day of work and want to chill but your house-mate has decided to throw a party.

2019-05-15 17:00:00 +0000 UTC View Post

1924/192/128

These "cyberspace" scenes look simple but there was some chellenge in sorting out all the angles without either having to cross balloon tails or violate the "180 rule."

2019-05-14 17:00:00 +0000 UTC View Post

1922/190/127

I'm really liking some of the free brushes and effects I can collect with Clip Studio Paint. If it handled text properly I'd switch all the way over from my aging Photoshop. The backgrounds in the ...

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1921/189/126

Every now and then it's fun to watch Alyss blowing her stack. From a distance, anyway.


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1919/187/125

Oh, bother. I've just realized the numbering sequences I've been using having been lining up right. I've corrected it with this one. It's supposed to be TotalStrips/StripThisArc/PageThisVolume.&nbs...

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1916/186/124

No perverts here.


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1914/184/123

Dominic has a curious style of flirtation, to say the least.


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1913/183/122

A few days before writing this stretch of the script I saw a docu on Julius "Groucho" Marx that was fairly engrossing. I loved the Marx Bros' anarchic style of comedy. And all of that has nothing t...

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1911/181/121

Don't you just hate it when you're having a nice sit-down and a bomb pops up under the towel rack? That's why you should always keep your Oresme Shield up to date.

2019-05-07 15:38:52 +0000 UTC View Post

1909/180/120

We only get the slightest taste here of how fast gynoid-Alyss is. We'll see more of her capabilities in the next story arc. Maybe a bit later in this one.

2019-04-30 00:00:00 +0000 UTC View Post

1908/178/119

I love the scenes where Diana and Alyss interact. I hope readers like them, too.


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1907/177/118

Yes, I did some shameless cut-and-paste here. But shit was happening in my personal life and I needed to save time.

2019-04-27 23:00:01 +0000 UTC View Post

1905/175/117

Making sense of extra dimensions is not for the faint of brain.


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1904/174/116

Never forget to back yourself up.


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1902/172/115

Peter Piper picked a peck of pickeled hyper-cubexahedrons.


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1901/171/114

And so we say adieu to Kimberly, who is modeled on a friend of mine. Who also happens to enjoy assembling doll-hou ... I mean, miniatures.

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1899/169/113

Our first glimpse of Le Château Périlleux. Or a reasonable facsimile anyway.


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1898/168/112

Of course the last few words out of Diana's mouth was heard through the door.


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1896/166/111

Belbenoit can sneak away as well as sneak up on you.


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1895/165/110

Those Smith & Holder characters are a bunch of grabby sumbitches, aren't they?


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1893/163/109

Belbenoit, you sneaky so-and-so.


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1892/162/108

At the inking stage I realized I needed to ramp-up Otto's reaction to Diana's joke in the last panel. Hope I didn't overdo it.

2019-04-05 20:59:59 +0000 UTC View Post