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scumbelievable

scumbelievable

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scumbelievable posts

I Would Like to See It: The Devil

A rider in black (Wojciech Pszoniak) arrives at a convent in the midst of the Prussian invasion of Poland. In aspect he resembles a sort of living Repin painting, the wild-eyed tyrant of Ivan t...

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In the Flesh: Impetigore

The opening of Impetigore, Joko Anwar’s riveting 2019 folk horror flick, establishes the relationship between twentysomething tollbooth workers Maya (Tara Basro) and Dini (Marissa Anita)...

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In the Flesh: The Killing of a Sacred Deer

Lanthimos’s whole thing, the magical realist worlds of flat affects and disorienting angles he assembles so meticulously in his films, is strong medicine by any measure. The Killing of a Sacr...

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In the Flesh: Overlord

The script isn’t much, the score’s already departed entirely from my memory, and where the story isn’t bog-standard it sags and loses its direction, but Julius Avery’s Overlord sco...

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In the Flesh: Judas and the Black Messiah

“...political power does not flow from the sleeve of a dashiki; political power flows from the barrel of a gun. It flows from the barrel of a gun!.” As twenty-one-year-old Black Panther deputy ...

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I Would Like to See It: The Other Lamb

Women in dresses of red and blue roughspun sing beneath branching webs of yarn drawn taut and interwoven. A painting of a long-haired man’s face stares Christ-like from the side panel of a rusted...

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In the Flesh: Shirley

Being a fat woman is an exercise in learning to love things that hate you. Your favorite art will mock your body, your lovers will quest vainly for compliments that don’t engage your actual appea...

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In the Flesh: Space Sweepers

Space Sweepers is not, as some critics would have it, “Parasite in space”, an assertion so transparently racist in its flattening of one of the most fruitful national cinemati...

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In the Flesh: Scarface

How I made it this far in life without seeing DePalma’s Scarface is a pretty good question, but man, there’s nothing in the world like Al Pacino in this movie. He’s like a speak-n’...

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In the Flesh: Horse Girl

There’s something about Alison Brie’s enormous Betty Boop eyes that’s always read as slightly upsetting to me. There’s just so much area; the idea of something touching their wet, ...

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I Would Like to See It: It Comes at Night

That American society cannot weather a respiratory pandemic is no longer something that can take an audience by surprise. Even so, the bleak, spare, tightly-built engine of Trey Edward Shults’ View Post

In the Flesh: Saint Maud

You seldom see a film approach self-harm with the understanding that it serves a purpose. When we cut and burn and prick and beat ourselves, it’s because no other release is conceivable or access...

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In the Flesh: Ash Is Purest White

It’s seldom I get the chance to sit down and watch something every frame of which is absolutely visually riveting. It’s enough to make me glad for Ash Is Purest White’s glacial pace ...

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In the Flesh: Eight for Silver

How do you take a premise like the lycanthrophy-afflicted son of a land baron feeding off his father’s tenants and totally fail to do anything approaching class analysis? Whatever the secret to t...

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Pain Is a Garment: Pornography and Sexuality in Park Chan-Wook’s The Handmaiden

Pornography—notoriously difficult to define, its moral weight and cultural impact bitterly contested not just by prudes and lewds but by opposing factions within movements like feminism—has alw...

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I Look Like the Shah of Iran: The Bodies and Faces of The Sopranos

In film, faces and bodies are part of a visual language which communicates the nature of a fictional world. Take the smooth, generically beautiful faces of the Marvel Cinematic Universe, which nota...

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I Would Like to See It: Orlando

Any movie with the balls to cast Quentin Crisp (incidentally a trans woman who never transitioned) as Elizabeth I is a movie I can’t help but root for, and Sally Potter’s Orlando uses ...

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In the Flesh: Ammonite

There’s something so distinctly dykey about Ammonite, something in its obsessive focus on labor and chores, on feet and piss and clothes and all the things we half-understand to be proxi...

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I Would Like to See It: 3 Women

The first half of 3 Women, Robert Altman’s 1977 avant garde classic, is perhaps the most stressful thing I’ve ever watched. The friction between Shy, submissive Pinkie Rose (Sissy Spac...

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In the Flesh: The Punisher, Season 2

Rival crews meet by night in an abandoned warehouse. At issue is some unknown valuable, possessed by one side and desired by the other, and when no solution is forthcoming the two gangs quickly dis...

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The Mosquito Women

They rise from the long grass beside the river as the merchant and his men go by, one leading an ox laden with bags of rice, dried herbs, salt, and spices, and clay pots full of what smells to the ...

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In the Flesh: Byzantium

A rancid little mother/daughter drama stretched out over two centuries and told in overlapping, contradictory skeins of personal narrative, Byzantium follows Clare/Clara/Camilla Webb (Gemm...

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In the Flesh: Another Round

The image of the crying dad is ubiquitous in popular culture, a kind of archetypal psychological upset within the framework of the American nuclear family which robs a child of the illusion of thei...

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I Would Like to See It: Alucarda

There’s a moment in Alucarda, Juan López Moctezuma’s 1977 cult lesbian horror classic, where garish melodrama spills into bitter reality. From the top of a ponderous stone staircase t...

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In the Flesh: Shadow in the Cloud

That this movie exists at all is baseline grotesque. John Landis killed a man and two children through his own arrogance and negligence while filming part of the Twilight Zone movie, and h...

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Figurin’ Out All Over Again How to Fuckin’ Live: Depictions of Mental Illness in Deadwood

Sometimes it feels like Deadwood never happened. With shows like Maniac and Bojack Horseman dominating conversations about mental illness in TV, it’s easy to forget tha...

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I Would Like to See It: The New World

You’d have to be a pretty insightful and knowledgeable artist to do something worthwhile with the story of Matoaka, better known as Pocahontas — her childhood nickname and eventual use-name amo...

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I Would Like to See It: Repulsion

How do you talk about a movie with such insight into sexual predation when its creator is himself a sexual predator? Roman Polanski’s Repulsion mines even closer to the lode of its direc...

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You Love to See It: Tokyo Decadence

Tokyo Decadence, Ryū Murakami’s 1992 pink film, opens with submissive prostitute Ai strapped into a modified OBGYN’s chair as her sadist client waxes poetic about her status as the sa...

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Made from the Red Soil: Fantasies of Misery in Neon Genesis Evangelion


The giant mecha genre is, at its heart, a teen power fantasy. Step into a cockpit and suddenly your body is a hundred times larger, armored and invulnerable. You can fly through space, d...

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