A rider in black (Wojciech Pszoniak) arrives at a convent in the midst of the Prussian invasion of Poland. In aspect he resembles a sort of living Repin painting, the wild-eyed tyrant of Ivan t...
2021-02-19 16:12:37 +0000 UTC
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The opening of Impetigore, Joko Anwar’s riveting 2019 folk horror flick, establishes the relationship between twentysomething tollbooth workers Maya (Tara Basro) and Dini (Marissa Anita)...
2021-02-19 03:54:42 +0000 UTC
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Lanthimos’s whole thing, the magical realist worlds of flat affects and disorienting angles he assembles so meticulously in his films, is strong medicine by any measure. The Killing of a Sacr...
2021-02-18 00:40:07 +0000 UTC
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The script isn’t much, the score’s already departed entirely from my memory, and where the story isn’t bog-standard it sags and loses its direction, but Julius Avery’s Overlord sco...
2021-02-17 02:50:31 +0000 UTC
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“...political power does not flow from the sleeve of a dashiki; political power flows from the barrel of a gun. It flows from the barrel of a gun!.” As twenty-one-year-old Black Panther deputy ...
2021-02-15 06:53:59 +0000 UTC
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Women in dresses of red and blue roughspun sing beneath branching webs of yarn drawn taut and interwoven. A painting of a long-haired man’s face stares Christ-like from the side panel of a rusted...
2021-02-12 15:01:01 +0000 UTC
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Being a fat woman is an exercise in learning to love things that hate you. Your favorite art will mock your body, your lovers will quest vainly for compliments that don’t engage your actual appea...
2021-02-12 04:43:17 +0000 UTC
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Space Sweepers is not, as some critics would have it, “Parasite in space”, an assertion so transparently racist in its flattening of one of the most fruitful national cinemati...
2021-02-10 06:50:31 +0000 UTC
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How I made it this far in life without seeing DePalma’s Scarface is a pretty good question, but man, there’s nothing in the world like Al Pacino in this movie. He’s like a speak-n’...
2021-02-08 07:40:05 +0000 UTC
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There’s something about Alison Brie’s enormous Betty Boop eyes that’s always read as slightly upsetting to me. There’s just so much area; the idea of something touching their wet, ...
2021-02-05 08:04:34 +0000 UTC
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That American society cannot weather a respiratory pandemic is no longer something that can take an audience by surprise. Even so, the bleak, spare, tightly-built engine of Trey Edward Shults’
2021-02-05 06:19:02 +0000 UTC
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You seldom see a film approach self-harm with the understanding that it serves a purpose. When we cut and burn and prick and beat ourselves, it’s because no other release is conceivable or access...
2021-02-03 02:04:06 +0000 UTC
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It’s seldom I get the chance to sit down and watch something every frame of which is absolutely visually riveting. It’s enough to make me glad for Ash Is Purest White’s glacial pace ...
2021-02-01 07:00:02 +0000 UTC
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How do you take a premise like the lycanthrophy-afflicted son of a land baron feeding off his father’s tenants and totally fail to do anything approaching class analysis? Whatever the secret to t...
2021-01-31 07:14:07 +0000 UTC
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Pornography—notoriously difficult to define, its moral weight and cultural impact bitterly contested not just by prudes and lewds but by opposing factions within movements like feminism—has alw...
2021-01-29 22:47:38 +0000 UTC
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In film, faces and bodies are part of a visual language which communicates the nature of a fictional world. Take the smooth, generically beautiful faces of the Marvel Cinematic Universe, which nota...
2021-01-29 16:51:20 +0000 UTC
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Any movie with the balls to cast Quentin Crisp (incidentally a trans woman who never transitioned) as Elizabeth I is a movie I can’t help but root for, and Sally Potter’s Orlando uses ...
2021-01-29 00:30:04 +0000 UTC
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There’s something so distinctly dykey about Ammonite, something in its obsessive focus on labor and chores, on feet and piss and clothes and all the things we half-understand to be proxi...
2021-01-23 04:50:50 +0000 UTC
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The first half of 3 Women, Robert Altman’s 1977 avant garde classic, is perhaps the most stressful thing I’ve ever watched. The friction between Shy, submissive Pinkie Rose (Sissy Spac...
2021-01-22 17:51:57 +0000 UTC
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Rival crews meet by night in an abandoned warehouse. At issue is some unknown valuable, possessed by one side and desired by the other, and when no solution is forthcoming the two gangs quickly dis...
2021-01-20 20:38:53 +0000 UTC
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They rise from the long grass beside the river as the merchant and his men go by, one leading an ox laden with bags of rice, dried herbs, salt, and spices, and clay pots full of what smells to the ...
2021-01-17 20:49:47 +0000 UTC
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A rancid little mother/daughter drama stretched out over two centuries and told in overlapping, contradictory skeins of personal narrative, Byzantium follows Clare/Clara/Camilla Webb (Gemm...
2021-01-17 00:25:28 +0000 UTC
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The image of the crying dad is ubiquitous in popular culture, a kind of archetypal psychological upset within the framework of the American nuclear family which robs a child of the illusion of thei...
2021-01-16 15:01:01 +0000 UTC
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There’s a moment in Alucarda, Juan López Moctezuma’s 1977 cult lesbian horror classic, where garish melodrama spills into bitter reality. From the top of a ponderous stone staircase t...
2021-01-15 17:30:31 +0000 UTC
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That this movie exists at all is baseline grotesque. John Landis killed a man and two children through his own arrogance and negligence while filming part of the Twilight Zone movie, and h...
2021-01-14 20:08:31 +0000 UTC
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Sometimes it feels like Deadwood never happened. With shows like Maniac and Bojack Horseman dominating conversations about mental illness in TV, it’s easy to forget tha...
2021-01-12 20:12:15 +0000 UTC
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You’d have to be a pretty insightful and knowledgeable artist to do something worthwhile with the story of Matoaka, better known as Pocahontas — her childhood nickname and eventual use-name amo...
2021-01-08 16:30:00 +0000 UTC
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How do you talk about a movie with such insight into sexual predation when its creator is himself a sexual predator? Roman Polanski’s Repulsion mines even closer to the lode of its direc...
2021-01-02 04:04:26 +0000 UTC
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Tokyo Decadence, Ryū Murakami’s 1992 pink film, opens with submissive prostitute Ai strapped into a modified OBGYN’s chair as her sadist client waxes poetic about her status as the sa...
2021-01-02 03:19:02 +0000 UTC
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The giant mecha genre is, at its heart, a teen power fantasy. Step into a cockpit and suddenly your body is a hundred times larger, armored and invulnerable. You can fly through space, d...
2020-12-28 21:37:05 +0000 UTC
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