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Immanence and Transcendence

Saint Maud (Rose Glass, 2019)

It's admirable how Saint Maud splits the ...

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The 39 Steps (Alfred Hitchcock, 1939)


Watching these Hitchcock films recently, I noticed something I was doing somewhat unconsciou...

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Elevating the Gallos / Vague Hollywood Memories

Well, I certainly enjoyed the unpredicted, 20-minute hailstorm that just happened. (Between pea-sized a...

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Notorious (Alfred Hitchcock, 1946)

"I got your double espresso right here, pal!"

This one was tricky. Although I usually tr...

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Destello Bravío (Mighty Flash) (Ainhoa Rodríguez, 2021)

Occasionally you come across a film that is undeniably impressive but not what you'd call "good." D...

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Lifeboat (Alfred Hitchcock, 1944)

[NOTE: I have decided to focus only on Hitchcock this month. I will turn my attention to Satyajit Ray i...

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Ste. Anne (Rhayne Vermette, 2021)

It is a very delicate thing indeed to forge a hybrid between narrative and experimental cinema. Too oft...

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Friday Quiz: Drug or Corporation?

1.

2.

2021-04-09 19:08:46 +0000 UTC View Post

RIP to a Real One

That's how ruff ryders roll.


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Waxing Nostalgic

Mousing around today, I found 2021-04-09 02:40:29 +0000 UTC View Post

Surface / Depth

The I and S of Lives (Kevin Jerome Everson, 2021)

Everson's films are a lot of t...

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ACE! (Love has no borders, nationalies, or genders.)

Happy Asexual Awareness Day! ROCK 'N ROLL!!


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Taming the Garden (Salomé Jashi, 2021)

Recently here in Texas we had a deep freeze, with record-low temperatures that surpassed anything on re...

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A Paradox

A Glitch in the Matrix (Rodney Ascher, 2021)

I've seen three features and a shor...

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Species (Roger Donaldson, 1995)

A few random notes on Species, as we move through the film pictorially, in reverse.

1. I...

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My Brother's Wedding (Charles Burnett, 1983)

It's a bit of a mess, but it's by no means a hot mess. My Brother's Wedding has narrative bone...

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April Auteur: Halfsies!

So rather than have a fourth vote, which would most likely resolve nothing, I am going to split my atte...

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Krzysztof Kieslowski: Short Nonfiction Films

I could justifiably select Kieslowski to be the Auteur of the Month at some point. I've only seen three...

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FINAL RUNOFF: APRIL AUTEUR

Who's it gonna be?

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Nat Turner: A Troublesome Property (Charles Burnett, 2003)

Along with The Final Insult, this PBS documentary on the legacy of Nat Turner is the great dis...

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The Glass Shield (Charles Burnett, 1994)

How responsible is Harvey Weinstein for butchering The Glass Shield? I must admit, compared to...

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April Director: The Runoff

I've decided to throw every director who polled 10% or above in this runoff. Let's see how this goes. View Post

April's Director of the Month

I still have a couple of major Burnetts to cruise through, but April approaches. So... Presented this month in order of number of films seen, then alphabetical.

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All Light, Everywhere (Theo Anthony, 2021)

In these post-Marker, post-Farocki times, it's hard to imagine why someone would make a normal document...

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I Beg to Differ


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A Zed & Two Noughts (Peter Greenaway, 1985)

I watched this for a project that asked writers to revisit films that were formative for our burgeoning...

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Short(er) Films by Charles Burnett


Several Friends (1969)

A meandering portrait of Black life in South C...

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Petite Maman (Céline Sciamma, 2021)

Lest we forget, Céline Sciamma is a prolific screenwriter, and aside from her own five features she ha...

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Warming by the Devil's Fire (Charles Burnett, 2003)

Martin Scorsese's PBS series "The Blues" featured seven segments, directed by seven different directors...

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Bad Film Re-Poll, with apologies

So my "situation" with Rebecca H. fell through. So could I prevail upon you to vote again?

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