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Palm Springs (Max Barbakow, 2020)

Diverting enough, Palm Springs is little more than a concept, and a borrowed one at that. To b...

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Home Improvements

His House (Remi Weekes, 2020)

Thematically, haunted houses are all about history...

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Promising Young Woman (Emerald Fennell, 2020)

A curiosity. If you consider Promising Young Woman in the context of the broadly commercial re...

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You Cannot Stop The Count

Mwah-ha-h...

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Kajillionaire (Miranda July)

I was frankly so put off by the melancholy whimsy of Miranda July's first two features that I was kind ...

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Mank (David Fincher)

THIS REVIEW IS EMBARGOED. SO KEEP IT IN THE FAMILY, PLEASE.

Much like this year'...

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Reasons to Be Cheerful

I'm nervous. We're all nervous.

But here are some things to consider.

Today's 2020-11-02 15:36:31 +0000 UTC View Post

Kung-fu Master! (Agnès Varda, 1988)

An undeniably bizarre film, Kung-fu Master! seems almost designed to, well, punch and kick at ...

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Red, White and Blue (Steve McQueen, 2020)

Neither as baldly declarative as Mangrove, nor as poetically open-form as Lovers Rock...

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Nasir (Arun Karthick, 2020)

SOME SPOILERS AHEAD.

It has to be addressed right off the bat. Nasir is...

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This Ain't No Galaxy Brain

Sorry for the limited watching and writing in recent days. I have in the midst of a really hellacious h...

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Borat Subsequent Moviefilm (Jason Woliner, 2020)

Or: Paranoid Racist QAnon Wackos Say Darnedest Things: an Exposé For Make Benefit of Understone Dw...

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On The Rocks (Sofia Coppola, 2020)

This is an utterly trivial film, but it's also kind of weird. It's really a fairly standard midlife cri...

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Servants (Ivan Ostrochovsky, 2020)

Although I hadn't remembered it until I checked my logs, I did see Ostrochovsky's debut feature, a film...

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I'm Thinking of Ending Things (Charlie Kaufman, 2020)

This review will contain spoilers.

At first I found myself in a rather bothersom...

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Malmkrog (Cristi Puiu, 2020)

It's true, Malmkrog isn't for everyone. But I must admit to a certain surprise at the criticis...

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New Order (Michel Franco, 2020)

Okay, first things first. Are we sure we're not being punked?

Anyway, for the sake of ar...

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A White, White Day (Hlynur Pálmason, 2019)

The word on the street is true. Hlynur Pálmason's second film is a major leap forward from his already...

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Bloody Nose, Empty Pockets (Bill Ross IV and Turner Ross, 2020)

Okay, guys, it's Cinephile Confession Time. This is the first film I've seen by the acclaimed duo of Bi...

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The Notes of Anna Azzori / A Mirror That Travels Through Time (Constanze Ruhm, 2020)

Say, have you heard about essay films? They are all the rage right now. In fact, the Currents section o...

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The Woman Who Ran (Hong Sangsoo, 2020)

Hong operates in a minor key here, with the compositional interest primarily hinging on all the things ...

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I'm SPOOKED!


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Man, "Cuties" sucks.

I was asked to write a statement for the National Society of Film Critics relating to the Netflix indic...

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Dick Johnson Is Dead (Kirsten Johnson, 2020)

At one point, during the final third of Dick Johnson Is Dead, the film's subject says somethin...

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Marriage Story (Jessica Dunn Rovinelli, 2020)

Dunn Rovinelli's So Pretty was a dense, complicated feature film that encompassed literary con...

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French Exit (Azazel Jacobs, 2020)

Did you know that Woody Allen had a new film this year? Apparently some nonsense called Rifkin's Fe...

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Time (Garrett Bradley, 2020)

As it happens, I already related most of my thoughts about this incredibly moving film in my third NYFF...

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From the "Please Make It Stop" File...


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Notturno (Gianfranco Rosi, 2020)

One of the most critically lauded documentary filmmakers of the moment, Gianfranco Rosi seems to define...

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Tragic Jungle (Yulene Olaizola, 2020)

I must admit, I'm a bit confused by the fact that this rather pedestrian film is being hailed as a brea...

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