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NYFF Currents (Short Takes 2)

Humongous (Aya Kawazoe, 2020)

One of this year's stealthier entries in the NYFF ...

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NYFF Currents (Short Takes 1)

King of Sanwi (Akosua Adoma Owusu, 2020)

Conceived as a follow-up to her 2019 fi...

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Stump the Guesser! (Guy Maddin, Evan Johnson, and Galen Johnson, 2020)

Although Maddin and the Johnson brothers' latest production does not maintain the breakneck pace of Mad...

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Siberia (Abel Ferrara, 2020)

NOTE: This review contains some thematic spoilers. You may want to go in cold for this one. View Post

Apiyemiyekî? (Ana Vaz, 2020)

Ana Vaz's latest film begins with black and white footage that tracks around the empty square outside o...

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There is No Evil (Mohammad Rasoulof, 2020)

This was a pretty strong year for the Berlinale, and of course it appears even stronger in retrospect, ...

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"I got a lion in my pocket, and baby..."

So, looking over the dismal competition lineup at Venice, I would say the odds-on bet to take home this...

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Is It Safe?

Um, what the hell do you think?

Here ...

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Parts & Labour (Julie Murray, 2020)

Another compelling answer to the problem of how to produce new work during a quarantine, Julie Murray's...

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Flying Over Brooklyn (Ernie Gehr, 2020)

This short video was commissioned by the Madison Square Park Conservancy, one of a number of pieces meant to show how New York artists are working, thinking, and faring during the quarantine. Most ...

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Disaster Capitalism?

I was afraid of this.

Are the emergency exigencies of COVID-19 now going to be an excuse for corp...

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Autoficción (Laida Lertxundi, 2020)

Although they average between ten and fifteen minutes long, the films of Laida Lertxundi fall into the ...

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Patreon Problems?

Hey, so in the last 24 hours, I have lost nine subscribers. They are all listed as having their pledges declined. Interestingly enough, they are all from the same countries -- Finland and India, mo...

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Liminal (various directors, 2020)

A four-part omnibus commissioned by Mexico's FICUNAM, Liminal is apparently thematically united by the relationships between film and music. Clearly this is a pretty tenuous connection, si...

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Tesla (Michael Almereyda, 2020)

Although Tesla bears a certain resemblance to Experimenter, Michael Almereyda's biogr...

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The Personal History of David Copperfield (Armando Iannucci, 2019)

Highly frustrating as an idea, Iannucci's Copperfield is unavoidably entertaining. This is bec...

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What is this apocalypse missing? Korean zombies ¯\_(ツ)_/¯

FLASH POLL: Is Peninsula one of the Major, Definitive Films of 2020, which Any Good Cinephile ...

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For Those of You Preparing Your TENET Reviews...

Since I was booted from Twitter, you, my loyal subscriber base, get to enjoy / tolerate the sort of things that probably would have been offhanded tweets of mine back in the day.

But seriousl...

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Neko the Cat: Total Bad-Ass (2008-2020)

As you may recall, I made a post in mid-May mentioning that my cat Neko was near death.

Well, as ...

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The Bank Dick (Edward F. Cline, 1940)

Yes okay, too easy.

But just a note to say, I had two assignments to complete this week (one for ...

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Secret Zoo (Son Jae-gon, 2020)

I was looking for something a little different, and Secret Zoo fit the bill: a broad Korean co...

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She Dies Tomorrow (Amy Seimetz, 2020)

[SPOILERS, I SUPPOSE]

While watching She Dies Tomorrow, I found myself ...

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Undine (Christian Petzold, 2020)

As I was watching Christian Petzold's latest film, I found myself thinking of an oddly appropriate Fren...

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The Fever (Maya Da-Rin, 2019)

...although it's a bit tempting to refer to this film as The Highly Symbolic Fever, since the ...

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First Cow (Kelly Reichardt, 2019)

There is a jarring simplicity to Kelly Reichardt's First Cow, a modesty that, on close inspect...

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Did You Know This Existed?

This is one of the weirdest things I have ever stumbled upon.

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"Old Dolio is so old..."

"How old is she?!"

2020-08-04 19:54:49 +0000 UTC View Post

Clementine (Lara Gallagher, 2019)

In 1995, painter David Salle directed his one and only feature film, Search and Destroy. It wa...

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Artificial Light (Hollis Frampton, 1969)

One of Frampton's simplest films, it's also probably the one that most clearly exemplifies what the sup...

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Completism: New Rules?

A while back, I decided that cinephile completism had to have limits. This was mostly around film festi...

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