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scumbelievable

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scumbelievable posts

I Would Like to See It: Eat Drink Man Woman

“Eat, drink, man, woman, food, sex,” says aging chef Old Wen (Jui Wang) to his lifelong friend and fellow chef Lao Zhu (Sihung Lung). “It’s all the same. You can’t separate them.” For L...

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In the Flesh: The Vigil

There’s something almost preternaturally sad about Dave Davis’s face, a sense of noble but all-encompassing defeat in his slack jaw, gaunt cheeks, and bruised eyes. As Yakov Ronen, a mentally i...

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In the Flesh: Pig

Nicholas Cage has been a lot of things throughout his long and prolific acting career. Oddball Indie leading man, Hollywood superstar, coked-out weirdo, C-list jobber, and, most recently, a sort of...

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In the Flesh: I, Claudius

I, Claudius, the BBC’s 1976 adaptation of Robert Graves’ novels I, Claudius and its sequel Claudius the God, is an artifact of an entirely different television landsc...

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I Would Like to See It

This week's I Would Like to See It is late on account of travel and illness, but will be made up this coming week! Thanks in advance for your patience while I hack out my lungs <3

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In the Flesh: Helter Skelter

The supermodel Liliko (Erika Sawajiri) sits on a ledge, legs parted, hair thrown in a black river over one bare shoulder. Behind her, a mural depicting an enormous technicolor set of lips smiles fr...

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I Would Like to See It: Big Night

The first time we really see Primo (Tony Shalhoub) cook, directors Stanley Tucci and Campbell Scott shoot it with a pure and unrestrained but deeply skilled and disciplined joy, following the brisk...

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I Would Like to See It: La Grande Bouffe

It’s impossible to overstate how sexy Andréa (Andréa Ferréol) is in Marco Ferreri’s La Grande Bouffe. She’s a cheerfully vulgar angel of death, red-cheeked and Rubenesque, constan...

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I Would Like to See It: Roaring Currents

And so the month’s dive into recent Korean film concludes with Roaring Currents, or The Admiral, Kim Han-Min’s historical epic about the Battle of Myeongnyang in which disgrac...

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Stare into the Deadlights

Starting in July, $10 patrons and above are invited to a monthly Discord screening of one of my favorite horror movies! I might make this more frequent depending on interest, but I'm so excited to ...

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In the Flesh: May

“The unwantable woman” is a broad and thematically complex subgenre of horror. From the horny, delusional dysfunction of teen wannabe-surgeon Pauline (Annalynne McCord) in Excision to ...

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In the Flesh: Shutter

Banjong Pisanthanakun and Parkpoom Wongpoom’s Shutter is riffing pretty obviously on Ringu, Ju-On: The Grudge, and other seminal East Asian horror from around the turn ...

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I Would Like to See It: The Man from Nowhere

The moral and cultural underpinnings of the “kidnapped daughter, vengeful father (or father figure)” genre are only slightly less regressive than your average police union, fantasies of justifi...

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Close to the Skin

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In the Flesh: White of the Eye

The script of Donald Cammell’s White of the Eye never tries to match the fever pitch of what’s happening on screen, but that’s not to say it doesn’t fall short. As towers of blaste...

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I Would Like to See It: Bedevilled

Indifference, more than anything, is what makes exploitation and abuse not just possible but commonplace. Without callous authorities interested only in doing as little as possible and upholding th...

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Tom Horstmann's CHRYSALIS Illustration

A triptych by the incomparable @horstmannart of a currently back-burnered Magical Girl story I'm writing 

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In the Flesh: After Hours

An unpaid cabbie, a jilted date, a hamburger ordered and abandoned; Scorsese’s After Hours is a veritable spider web of minor social obligations in which hapless everyman Paul (Griffin D...

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In the Flesh: The Housemaid (1960)

Nestled between the tongue-in-cheek moralizing of its nearly Leave It to Beaver-esque opening and closing monologues, Kim Ki-young’s The Housemaid is a blackly satirical thrille...

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I Would Like to See It: The Housemaid (2010)

Its final moments are marred by cheesy special effects, its characterization of its protagonist wavers somewhat in the second and third acts, and its typically excellent melodrama sometimes falls a...

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In the Flesh: Eve's Bayou

Where does pain come from? Can you run your hand over the shape of it until you leave behind the silted delta of memory and come to the clear water of its source? In Kasi Lemmons’ 1997 drama ...

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Kane’s Son: Sexual Violence and Symbolism in Alien and Aliens

When Ridley Scott’s 1979 sci-fi/horror hit Alien hit theaters, it revolutionized special effects and kicked the wheezing horror genre into high gear. While Alien is without ques...

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I Would Like to See It: A Colt Is My Passport

The double meaning in the title of Takashi Nomura’s 1967 Yakuza noir is plain from its opening moments. A gun opens any door for a man who knows how to use it, but death, in the end, is the only ...

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In the Flesh: Akira (4k Restoration)

It’s been twenty years since I first saw Katsuhiro Otomo’s legendary science fiction/body horror film Akira, hunched breathless and nauseous just a few feet from the television, the vo...

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In the Flesh: Stoker

Stoker is a Gothic story in the truest sense of the word, the barren mansion in which most of its action takes place haunted not by spirits but by human inability to form connection, by th...

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I Would Like to See It: The Mimic

The Mimic is an odd little film, its pacing erratic, its characters thinly sketched and airless, its setting a slapdash mess in which none of its players are firmly situated. It leaps from...

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You Called for Me: Masculine Pain and Isolation in Akira

The first time we see Tetsuo (Nozomu Sasaki), the troubled teenage antagonist of Katsuhiro Otomo’s legendary 1988 animated sci-fi film Akira, he’s marveling at another boy’s motorcyc...

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I Would Like to See It: Compulsion

On paper, Craig Goodwill’s 2016 erotic thriller Compulsion sounds like exactly what I want out of a trip to the movies: elaborate costumes, psychedelics, graphic sex and violence, unreli...

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In the Flesh: The Passion of the Christ

Mutilation is the mechanism by which torture compels its recipients. Our bodies recognize agony as a sign that soon our extremity will take on permanence, our body’s functions breaking down, liga...

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In the Flesh: Venom

Venom has perhaps the most unearned face turn in all of film. One moment the titular symbiote (Tom Hardy) is snarling that Earth is going to be a game preserve for his people, and the next...

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