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'Tis the Season (2)

And here's the other. Enjoy.

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'Tis the Season (1)

I really only like two holiday songs. Here's one of them.

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Tenet (Christopher Nolan, 2020)

I happen to be of the opinion that Christopher Nolan's best film is The Prestige (with Dun...

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Nature (Artavazd Pelechian, 2020)

Armenian experimentalist Artavazd Pelechian has built a reputation on very little work, if by "work" we...

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ND/NF: Is This Anything?

Since I am banned from Twitter, I have limited access to the Cinephile Hive Mind (CHM)™️. So I have to put the question to you. Have any of you seen some of these New Directors films? I'm wonde...

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The American Sector (Pacho Velez & Courtney Stephens, 2020)

I seem to be in a distinct minority on this one, since most reviews I've read are fairly glowing. I was...

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Mr. Arkadin (Orson Welles, 1955)

I'd never seen Arkadin before, and I was partly prompted to see it because of all the discours...

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Somebody please tell me why...

. . . The Prom is 130 fucking minutes long? Haven't we suffered enough?

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Cold Meridian (Peter Strickland, 2020)

I have no interest in ASMR. Not only do I find the videos boring; the sound stuff doesn't work on me. I...

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Spring Blossom (Suzanne Lindon, 2020)

One of the films that apparently would have been featured in Un Certain Regard if Cannes 2020 had actua...

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Tommaso (Abel Ferrara, 2019)

Tommaso is a film that virtually compels us to read it as autobiography. It's about an America...

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The Midnight Sky (George Clooney, 2020)

NOTE: This "social reaction" is EMBARGOED. So let's keep it entre nous, fam.

2020-12-09 06:36:49 +0000 UTC View Post

City Hall (Frederick Wiseman, 2020)

The great Frederick Wiseman will turn 91 on New Year's Day. Like a handful of old masters (Godard and M...

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Dear Comrades! (Andrei Konchalovsky, 2020)

With the exception of his brother Nikita Mikhalkov, Andrei Konchalovsky may be the most well-connected ...

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The Maltese Cross Movement (Keewatin Dewdney, 1967)



Quite unexpectedly, I finally had the chance to see Keewatin Dewdney's The Ma...

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David Byrne's American Utopia (Spike Lee, 2020)

"Utopia -- the more impossible it seems, the more necessary it becomes." (Yvonne Rainer)

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Minari (Lee Isaac Chung, 2020)


Let's see: Dreamer dad (Steven Yeun), steadfast but skeptical wife (Han Ye-ri), mostly nonde...

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Collective (Alexander Nanau, 2019)

Over on Letterboxd, I discovered 2020-12-03 03:03:51 +0000 UTC View Post

White Lie (Calvin Thomas and Yonah Lewis, 2019)

White Lie is almost intolerable. It creates a scenario of fundamental tension -- a liar and gr...

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A Modest Proposal:

Someone should loop this soundbite into a kick-ass EDM cut called "Hit Those Speakers."

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Uncle Frank (Alan Ball, 2020)

Ball gonna Ball. ¯\_(ツ)_/¯

It's mystifying, in a way, that Uncle Frank arrives on gl...

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The Mole Agent (Maite Alberdi, 2020)

An unconventional documentary in a number of respects, The Mole Agent is effortlessly entertai...

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Routine Pleasures

Black Bear (Lawrence Michael Levine, 2020)

Back in 2014, I saw Levine's film View Post

After Lucia (Michel Franco, 2012)

Michel Franco is not Michael Haneke. This strikes me as an obvious enough point that I really ...

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The Nest (Sean Durkin, 2020)

With its insistence on atmosphere over plot, The Nest is kind of a perfect sophomore film, the...

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Fireball: Visitors from Darker Worlds (Werner Herzog and Armando Christian Pérez, 2020)

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Cinetracts '20 (various filmmakers, 2020)

Omnibus films. We all have traumatic memories of them. Do you remember where you where when you saw View Post

Two Films by Lemohang Jeremiah Mosese

It's a cliche, but it's unavoidably true. A critic experiences few pleasures greater than that of disco...

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MLK/FBI (Sam Pollard, 2020)

The documentary as preamble, or perhaps as prolepsis. It is understandable that every generation requir...

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Make Way For Tomorrow (Leo McCarey, 1937)

Back when I taught Film 101, I always showed Tokyo Story. In general, students responded well ...

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